A Quote by David Burnett
Do not settle for easy. Do not settle for that first image. Craft it, work it, and make something more out of it. And finally, don't forget that the biggest joy in photography is making pictures of those things in your own life.
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You're only as much as you settle for. If they settle for being somebody's dishwasher that's their own f***ing problem. If you don't settle for that and you keep fighting it, you know, you'll end up anything you want to be.
My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define.
Men don't settle down because of the right woman. They settle down because they are finally ready for it. Whatever woman they're dating when they get ready is the one they settle down with, not necessarily the best one or the prettiest, just the one who happened to be on hand when the time got to be right. Unromantic, but still true.
I think the main thing I would say is, don't settle. Don't settle for something that's not great.
Settle into mystery as you would settle into your most comfortable chair. Listen. Have visions. Lose yourself.
It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.
One day you'll make peace with your demons, and the chaos in your heart will settle flat. And maybe for the first time in your life, life will smile right back at you and welcome you home.
That attitude that I wouldn't succeed didn't come from my family; it came from school and then the township we lived in. I wasn't going to settle for that, and my mother warned us not to settle for less, to make the most of our lives.
I feel like I'm changing as a human being, and I think that the work needed to be in line with where I'm at. When I was younger and I was making political work, I was trying to figure out where my work fit in because when you're young you're like, "I don't know." I'm Latino, I grew up in Mexico, and so I thought that maybe I had to talk about those things. Then finally I didn't need my identity to rely on anymore. So now the work is becoming about more esoteric things, I guess - my own sort of language.
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.
I don't like sensationalizing events. Instead of making waves, I want to make everything settle, so we can see to the bottom of things.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
Don't try to make comparisons between your own pictures. Forget what you have done and think only of making the best of what you are doing.
When you work fast, what you put in your pictures is what your brought with yoiu - your own ideas and concepts. When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him.
One of the things I am very aware of not having in my life is the love of my father. ...but I know now that it is hard to make up that loss in the life of a daughter.
It's your dad who tells you that you are beautiful.
Its your dad who picks you up over his head and carries you on his shoulders.
It's your did who will fight the monsters under your bed.
It's your dad who tells you that you are worth a lot, so don't settle for the first guy who tells you you're pretty.
I love this life. I feel like I am always catching my breath and saying, 'Oh! Will you look at that?' Photography has been my way of bearing witness to the joy I find in seeing the extraordinary in ordinary life. You don't look for pictures. Your pictures are looking for you.
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