A Quote by David Burtka

I've always wanted to do a cabaret. — © David Burtka
I've always wanted to do a cabaret.

Quote Topics

I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
I always wanted to play Roxie Hart in Chicago and also Sally Bowles in Kander and Ebb's Cabaret, but I have a feeling I won't now! I've also always wanted to play Maria in The Sound of Music, but don't suppose I'll ever do that either!
I used to do cabaret as a kid and always wanted to pick it up again.
Life is a cabaret, old chum! Come to the Cabaret.
I think that's the graveyard of musicians, playing cabaret. I think I'd rather be dead than work in cabaret. It's just so depressing.
What good is sitting alone in your room? Come hear the music play; Life is a cabaret, old chum, Come to the cabaret.
I played piano for cabaret stars and stuff and then eventually moved from my hometown of Perth in Western Australia to Melbourne, and somewhere in there, I decided to book myself a room and do a cabaret show of my own material.
I have a great interest in Victorian musical & cabaret performances and Weimar artists so the references are there, to Cabaret and also All That Jazz and other films where, where there's a kind of (influential German playwright Bertolt) Brecht-ian approach, almost to the character standing outside of himself or, in this case, he's "self-séance-ing."
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
I always wanted to be Gene Hackman and I always wanted to be, you know... I wanted to be one of these guys. I always wanted to be Bob Duvall.
Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
I was always a tomboy. I always wanted to be around the boys, always wanted to play sports - basketball, football, kickball, whatever it was. I was real aggressive. I wanted to be around the bros!
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I just love to dance and 'Cabaret' seemed like an opportunity where I could explore that. I wanted to take a chance and see if people will accept me in this kind of role, if what is expected of other women is expected of me. Or maybe it's for shock value.
In Yale they convinced me I had no talent, even though I was always working. They cast me mostly as prostitutes and old women, and I stayed because I loved the writers. I loved Chris Durang and Wendy Wasserstein. I was always doing their work in the Yale Cabaret.
I always liked acting in school and drama classes, but when people asked me what I wanted to be when I grew up, I always told them I wanted to be a singer. I didn't want to be a jack of all trades. I wanted to master one.
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