A Quote by David Byrne
By the time Talking Heads were starting, my feeling was to throw out everything and start from scratch onstage; strip it down to as close to zero as you can get and then you can make it yours.
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What you need to do is get that tape measure out, and start measuring that gut. Then you start working out and you start eating properly till that gut gets down close to it was when you were in your 20's. Then you'll find out what your weight should be.
I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
I hear all the time that 'unemployment is greatly reduced, but the people aren't feeling it.' When the media, talking heads, the White House and Wall Street start reporting the truth - the percent of Americans in good jobs; jobs that are full time and real - then we will quit wondering why Americans aren't 'feeling' something that doesn't remotely reflect the reality in their lives. And we will also quit wondering what hollowed out the middle class.
Once you have a blueprint down, you start talking to all the other heads of department to see if and how they can help to execute what you've imagined, and so things change and evolve. And then you have to make it work within the budget and time frame, so things change even more.
I like everything in this iPhone, iPod world where you can do everything all the time. Back in my time, you bought a vinyl record when you were a kid and took it home, and it took a bit of effort to actually get it out of the thing and not scratch it.
When you're just starting out in the TV business, you don't know anything at all, and you think you're doing a better job than everyone else around you, and you just sort of presume that you're not getting the credit you deserve. And then when you start to get better, the pressure is extraordinary, and then you start to second-guess everything you do, and when people start looking to you for answers, for insight and for analysis and guidance, you start to wonder if you are the right person - even when you have all the information.
The most important thing to realize is we're not blank slates at birth. We don't start off with nothing in our heads, and then get imprinted entirely by our environment. There's something in our heads on the day we're born, and then we grow up and make choices.
Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches! If your love were-" "I don't understand that first one yet," Buttercup interrupted. She was starting to get very excited now. "Let me get this straight. Are you saying my love is a grain of sand and yours is this other thing? Images confuse me so - is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we're on the verge of something just terribly important.
With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can't get a clean manuscript unless you start again from scratch. It's an incredibly tedious process.
When I started swimming again two years ago, it felt like I was starting from scratch. My mind-set was [to tell myself that] every time I swam, it was going to get easier-and it did. When you're working toward a fitness goal, you just need to start. It's not going to be pretty, your body is going to scream at you, but each time you'll get better.
Get out of your house in the middle of a rainstorm, get soaked in it, and then strip down-to nothing but a smile.
I'm not judging the films. People make these connections through a film, or because they know them. But the fact that they erase them and have to start from scratch, I think that's an important point. A lot of kids, when they have a camera, have tended to do remakes of existing films. You have a lot of kids that make Star Wars. And I think that's creativity, but not as much creativity as starting from scratch.
I think part of what has to happen, somewhere, pretty soon, is that a human template has to come up. We have to start with, OK let's throw out all this other stuff, everything we have thought about it before, throw out all our models, and start with a human. What is a human?
I have a shoebox: for ideas, fragments, snatches of conversation I hear. I scrawl it down, throw the scraps in the box. Every time I start a new script I start picking through the pieces. Suddenly you get five pieces together and think: this is almost the first Act of a movie, if I flesh it out a bit.
When you lose everything, then you have something. It's exactly the opposite because everything that you have, it's not really yours. What is yours, you don't need to earn. It's yours by right.
With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
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