A Quote by David Byrne
Sometimes the European and North American public like some things to be exotic and kept at arm's length. They don't want sometimes to know that foreign artists are doing something that's at least as relevant as what's being done here.
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Sometimes I'm just a little bit too honest. There was some things that were going on behind the scenes that I didn't like because it's not what hip-hop is about. Hip-hop is about honesty and it's about being real to the people, and I kinda felt like there's some instances where some artists aren't 100% honest with the people. Their integrity is lacking sometimes. And sometimes it comes out.
But, Christ, there's a difference between exotic and foreign, isn't there? Exotic means you know how to use your foreignness, or you make yourself a little foreign in order to appear exotic. Real foreign is a little scary, believe me.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
The Ecuadorean and Latin American press is not like the European or North American press, which has some professional ethics. They are used to being above the law, to blackmail, to extort.
I actually like doing commercials. I don't like doing them to the exclusion of everything else, but I like doing them. The 30-second format is very hard. I sometimes call it American Haiku. And I think some of the commercials I've done are not so bad.
The world isn't perfect, and some days it wears you down. You can either accept that, and face it, and be a help to others instead of a hindrance. Or you can decide the rules are too tough and they shouldn't apply to you, and you can ignore them and make things harder for everybody else. Sometimes life is about being sad and doing things anyway. Sometimes it's about being hurt and doing things anyway. The point isn't perfection. The point is doing it anyway.
As a general rule, fans and idols should always be kept at arm's length, the length of the arm to be proportionate to the degree of sheer idolatry involved. Don't take a Beatle to lunch. Don't wait up to see if the Easter Bunny is real. Just enjoy the egg hunt.
People don't know how heavily involved I am in my own career. I'm on 15 to 25 conference calls every few days strategizing with my team. I think a lot of artists sit back and have it done for them. Sometimes as women in the industry - if you're sexy or like doing sexy things - some people subconsciously negate your brain. They think you're stupid.
That's such a relevant thing, as an actor - committing and not being distracted by any kind of technical awareness, or whatever. You do have to block things out sometimes, and sometimes it's easier than others.
I am more than proud to be European. I love Europe, I love France, but I have an American mentality, and I don't know why. The way I see things, the way I talk, I'm the kind of person who, if I want to say something, I will say it - sometimes in Europe, it's not always what you need to do.
You know how some people get worked up about things? That's a very human thing to do. Sometimes, I don't know - like, I feel like I don't want to waste my energy doing stuff like that. I think about this on the court, too.
I've composed a fair amount in my life, and some of them have made it on to the screen, some compositions that I've done, a few. And I like doing that. I had never really considered doing a full-length thing. I've worked with other people creating full-length pieces.
Sometimes we need to take some time to reflect. Sometimes we need to do something different. Sometimes we need to do something not because others are doing it so we want to do the same, but because it is different.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
I've always viewed my career with some suspicion, like I don't want to count on it to be the only thing I do. Partly that has to do with feeling like an imposter, like we all do sometimes, and partly I like doing other things, and being a full-time artist takes a focus I recognise I don't have.
Being stuck is a position few of us like. We want something new but cannot let go of the old - old ideas, beliefs, habits, even thoughts. We are out of contact with our own genius. Sometimes we know we are stuck; sometimes we don't. In both cases we have to DO something.
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