A Quote by David Byrne
I couldn't talk to people face to face, so I got on stage and started screaming and squealing and twitching.
Related Quotes
In retrospect, I can see I couldn't talk to people face to face, so I got on stage and started screaming and squealing and twitching about. Ha! Like, that sure made sense!
I like to talk to people. I've got one assistant, one Blackberry. That's my overhead. I don't text that much or email. I like to sit down face-to-face and have a conversation with you. I'm old-fashioned.
I bled a lot. I got hit across the face. We couldn't film for seven days. I got hit, whacked, underwater, across the face. I finished the shot, got into the boat and blood started coming out.
I vividly remember Charles Bronson's face in 'Chino.' The western genre is screaming for a face like that.
As a man, if you got a problem with somebody, you sit down face to face and you talk to them eye to eye. And you hash it out and move on.
I've got that face. You know when you see someone on TV and go, 'I don't like him?' Some people have that face, and I've got it. I can't do anything about it.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
I'm removed in my real life, and unable to express certain things face to face. So I have always found myself in this fantasy world. That's why I started writing songs and stories from a very young age. I'd much rather walk around anonymously cooking up tales than face the people that I have known forever.
I don't exclusively talk to people on social media; I don't meet people through Tinder. I try to keep it face-to-face, and to be aware if my phone is sucking me away from the rest of the world.
Lately I've been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.
I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple. "And Sassenach," he whispered, "Your face is my heart.
Stage shows help you meet the audiences face-to-face.
If you've got on the one hand death, dogmatism, domination, and on the other you've got desire in the face of death, dialogue in the face of dogmatism, democracy in the face of domination, then philosophy itself becomes a critical disposition of wrestling with desire in the face of death, wrestling with dialogue in the face of dogmatism, and wrestling with democracy, trying to keep alive a very fragile democratic experiment.
I'm such a bookworm, and I'm such a people-watcher. It took the Internet a while to catch on in Ireland, because the culture there is, you go to the pub and talk to people there, and that's how you get the news and all the gossip. You just do it face to face. And culturally, you just couldn't understand.
The face you have at age 25 is the face God gave you, but the face you have after 50 is the face you earned.
I can't talk on the radio at all. When the red light comes on, my hands go up in the air: I think they're trying to get to my face, to shut me up. I don't talk on stage for the same reason.
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