A Quote by David Byrne

When we started, a lot of bands sounded really different from one another. — © David Byrne
When we started, a lot of bands sounded really different from one another.
Television sounded really different than the Ramones sounded really different than us sounded really different than Blondie sounded really different than the Sex Pistols
Television sounded really different than the Ramones sounded really different than us sounded really different than Blondie sounded really different than the Sex Pistols.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.
In the mid-1930s, a lot of the Big Bands sounded the same.
I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
I was in several bands before I joined Judas Priest. Being in those early unknown bands were the stepping stones, really, so I learned a lot in those short few years jumping from one band to another.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
I love to learn, and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot.
I started out playing big bands shows and different things. I was with several different small bands and groups, doing comedy and singing, emceeing, and I got a break with a very big star of the late fifties whose name was Tommy Sands.
I think most people start rock bands in their early twenties or teens, but I was almost thirty at the time when the band started really doing anything and it took another several years before people started caring about us.
Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.
A lot of bands are still just bands that artists ask to get involved, but a lot of artists are using sound they create. This is different from referencing music.
I've had a chance to really stretch and do a lot of different genres. When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
There's a lot of bands that don't release an album every year. There's a lot of bands that take three, four or five years off here and there, but they don't say 'hiatus,' so no one really notices it.
A lot of people talk to me about writing lyrics and it is obvious they are really paying attention to the fact that ours are different from a lot of other bands.
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