A Quote by David Byrne
I subscribe to the myth that an artist's creativity comes from torment. Once that's fixed, what do you draw on?
Related Quotes
A myth is a fixed way of looking at the world which cannot be destroyed because, looked at through the myth, all evidence supports the myth.
I think an artist can fit under a few different categories depending on how much you explore your creativity. It can vary from artist to artist from musician to performer to vocalist. I thrive on creativity. So in the long run I want to be an all around entertainer.
Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word "myth" only for stories we ourselves cannot believe.
Now the expectation is that, once the public decides that the artist is gentrified, the public demands that the artist stop growing. And [the public] actually puts all their energy into reasserting or re-establishing what the artist has long ago left behind. Because that's what they want. The source of creativity, the gift that's been given, be damned.
Artists draw for themselves, If someone draws for them, theyre not an artist. An artist is someone who makes their own music and albums. Artist think music is a drawing, and they draw theirs.
Myth is a tale once believed as truth; believed, it is not myth, but religion. A tale once religiously believed that has come to be called a myth is something of religion corrupted with disbelief. What are beliefs for some societies but myths for others cannot fill spiritual vacancies in the life of those others.
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
Before I was a cosplayer, I was a fan artist. I would draw my favorite characters and sell the pieces at art auctions. But once I discovered cosplay, it was like, 'I don't have to draw my favorite characters, I can become my favorite characters.'
If you go to a master to study and learn the techniques, you diligently follow all the instructions the master puts upon you. But then comes the time for using the rules in your own way and not being bound by them....You can actually forget the rules because they have been assimilated. You are an artist. Your own innocence now is of one who has become an artist, who has been, as it were, transmuted.... You can't have creativity unless you leave behind the bounded, the fixed, all the rules.
When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.
The myth that everyone once read great literature is just a myth.
It is not a torment to be an artist. It is a privilege.
I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
The role of the artist I now understood as that of revealing through the world-surfaces the implicit forms of the soul, and the great agent to assist the artist was the myth.
I don't know where this myth that I go to a lot of parties stems from. It's a total myth. I may go out to something special once a year.
My one failing as an artist is that I depend on reference material to perhaps a greater extent than I should. Delacroix said that if you can draw a man falling out of a window and have the drawing finished before he hits the ground then you're a real artist. I wasn't that kind of artist.
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