A Quote by David Byrne

Suburban houses and tin sheds are often the objects of ridicule. — © David Byrne
Suburban houses and tin sheds are often the objects of ridicule.
Getting to places like Bangkok or Singapore was a hell of a sweat. But when you got there it was the back of beyond. It was just a series of small tin sheds.
This morning I lay in the bathtub thinking how wonderful it would be if I had a dog like Rin Tin Tin. I'd call him Rin Tin Tin too, and I'd take him to school with me, where he could stay in the janitor's room or by the bicycle racks when the weather was good.
Nothing of the kind; they do all these things in their houses and sheds, with common charcoal fires, and a quantity of straw to stop up the crevices in the doors and windows.
Some men are, in regard to ridicule, like tin-roofed buildings in regard to hail: all that hits them bounds rattling off; not a stone goes through.
As life goes on, we accrue more and more loseable objects. Providence dictates that objects that are too large to lose, such as houses, always come with tiny little keys, specially designed to give you the slip.
Time sheds a softness on remote objects or events, as local distance imparts to the landscape a smoothness and mellowness which disappear on a nearer approach.
Man sheds grief as his skin sheds rain.
In my heart, I'm just a kid from the council houses. I can remember the old cottage and my dad coming round with the tin bath. I'm not a rich man.
Ridicule often checks what is absurd, and fully as often smothers that which is noble.
It is time for the truth to be brought out... Behind the scenes, high-ranking Air Force officers are soberly concerned about the UFOs. But through official secrecy and ridicule, many citizens are led to believe the unknown flying objects are nonsense... I urge immediate Congressional action to reduce the dangers from secrecy about Unidentified Flying Objects
We're in the Chicago suburbs, ruling our 'hood and the streets that lead here. It's a street war, where other suburban gangs fight us for territory. Three blocks away are mansions and million-dollar houses. Right here, in the real world, the street war rages on. The people in the million-dollar houses don't even realize a battle is about to begin less than a half mile from their backyards.
It is commonly said that ridicule is the best test of truth; for that it will not stick where it is not just. I deny it. A truth learned in a certain light, and attacked in certain words, by men of wit and humor, may, and often doth, become ridiculous, at least so far, that the truth is only remembered and repeated for the sake of the ridicule.
You can use up all the slums for new development. In all the cities of the world, there are large areas of these. Also, you can avoid the spread of these silly suburban houses. Chicago has thousands of them all over the place.
In 1923 I was the No. 1 box office star. A year later it was Rin Tin Tin.
I see myself in the mold of Rin Tin Tin. It didn't go to his head either.
Many painters had a clear idea of what fractals are. Take a French classic painter named Poussin. Now, he painted beautiful landscapes, completely artificial ones, imaginary landscapes. And how did he choose them? Well, he had the balance of trees, of lawns, of houses in the distance. He had a balance of small objects, big objects, big trees in front and his balance of objects at every scale is what gives to Poussin a special feeling.
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