A Quote by David Byrne
I can't deny that label-support gave me a leg up - though not every successful artist needs it.
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I was very lucky - I grew up with two parents who loved each other and gave me unconditional love. They set high expectations for me, and they gave me an infinite amount of support. So I stand on their shoulders; I follow their example in every way.
I want to be role model for people to be like, 'I don't need a major label to be a successful artist and to have a successful song.'
What made me want to become a recording artist; I was the first artist that was repeatedly asked by a label to record with them. That label was Def Jam Records.
They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
Something inside me twists as I remember another voice. Rue. In the arena. When I gave her the leg of groosling. “Oh, I've never had a whole leg to myself before.” The disbelief of the chronically hungry.
I'm really thankful to have my own record label. I've always looked up to people like Madonna when she launched Maverick Records. Even Jay Z and Sean "Puffy" Combs, who's a mentor and also gave me a shot when I was an independent artist in Atlanta. He came to my show, and he said, "I just want people to know about you."
When I first started out in the music industry and went to Elektra Records, I didn't go to be an artist, I went to get a record label started. And they said in order to have a label deal, I had to be an artist - so that's what I did.
I had every major label in the world - I mean, any label that dealt with rap music wanted to sign me. I ended up going with Jive Records because I liked everything about 'em.
I obviously appreciate all the fans I gained from my band, but there weren't enough of them to make me a very successful artist. To me, being successful is selling a lot of records and selling out big venues on tour, and it's not up to anyone else to decide what success is for me.
A ghost would crawl up my leg and have sex with me at an apartment a long time ago in Texas. I used to think it was my boyfriend, and one day I woke up and it wasn't. I was freaked out about it, but then I was, like, 'Well, you know what? He's never hurt me and he just gave me some amazing sex, so I have no problem.
I want to be remembered as an artist that gave you a piece of me, as opposed to some surface bullshit. I just want to be remembered as a poet that was open and honest because I wake up every morning and I'm me.
Though I know for a fact that some of my fans would be happy for me to do anything that's going to help me be successful, namely to go to a major label, and I thank them for that, there'd be a lot of people who I think wouldn't be so happy with that change, and when I DO get dropped, then where would I be?
For me, I wanted somebody that got me musically, that understood that I'm an artist and this is who I am. I'm not going to be like another artist on your label, probably - hopefully. I found all those things with the Broken Bow group.
So in every sense, from an independent artist to a major label artist, you just have to have great product, great faith and great people, they all go together.
I was called up in the war and sent to a hospital. I dressed wounds, applied iodine, gave enemas, did blood transfusions. If the doctor ordered: "Brecht, amputate a leg!", I would reply, "Certainly, Your Excellency!", and cut off the leg. If I was told, "Perform a trepanning!" I opened the man's skull and messed about with his brains. I saw how they patched fellows up, so as to cart them back to the Front as quickly as they could.
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