A Quote by David Carradine
The success of the '86 movie with Brandon Lee demanded some kind of continuation. Plus, I had always contemplated a modern version.
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Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.
I've always thought what was I before I was this and then what will I be when I leave here. I really had a hard time always accepting that at some point I'm just going to turn to dust and ashes and never be again and that the journey would stop. I believe that we are souls, kind of like a version of what our movie presents, and we come here again and again until we arrive at our highest evolution, and what happens after that I don't know.
For me the Blu-ray version is kind of the definitive version of the movie.
Tell me he’s not talking to Brandon,” Claire said. “Um… Ok. He’s not talking to Brandon.” “You’re lying.” “Yeah. He’s talking to Brandon. Look, let Shane do his thing, okay? He’s not as stupid as he looks, mostly.
Everybody knows when you've got a role in a Spike Lee movie, you're gonna blow up. But I happen to be the only person who's had the lead in the two Spike Lee movies nobody saw.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
I've always approached screenplays and so forth with, "How would it really happen?" Not "What's the movie version?" but "What's the real-life version?" Then I just follow my nose.
Some might not know that 'What's Happening' was the television version of 'Cooly High.' When I went on the audition, it was an audition for exactly that: the TV version of the movie.
I was playing a role and acting. But it was different than Spike Lee's movie. Spike can say 'cut' and move to the next scene. But I was pretending to be a white supremacist, one of them. I had to act like them to make the ruse a success.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
I've often contemplated some kind of tummy tuck surgery, but I know this is not the answer.
I've had the same friends I've always had. I mean, I've lost a few over the years. Hate to use the word "success," but I don't know what else to say, but some people are more affected by that than others. I've had the same core group of friends that I've always had. We're surfing, so that definitely keeps you grounded. Just when I think I'm cool because we're playing these massive shows or having some sort of commercial success, I can always be reminded how small I am when I try to surf a wave that's a little bit out of my league, and I just get pummeled.
I think there's a danger that some people look at the success of my first movie as a fluke. So I want to make sure that my second film is an even bigger success. Then if I direct my third movie and it's terrible, it'll be okay.
Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.
Modern historians are all would-be philosophers; who, instead of relating facts as they occurred, give us their version, or rather perversions of them, always colored by their political prejudices, or distorted to establish some theory . . .
Our managers hadn't had that kind of success - the record company hadn't, we hadn't - and the feeling was that the next record had to be even bigger, and if it wasn't it would be some kind of failure.
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