A Quote by David Carradine

I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with. — © David Carradine
I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
If anyone has the opportunity to connect the dots and look at the directors I've worked with, from TV to film, there are some heavy hitters, from Taylor Hackford to John Singleton.
As an athlete, success is not just about winning; it is about working hard and giving it all you have. I have always taken one match at a time and worked hard; when I succeeded, I worked further on the aspects of the game which worked for me; when I failed, I listed out my weaknesses and worked on them.
I have not worked with farmers. I have not worked with prisoners. I have only worked with human beings. I didn't see anybody as anything other than that.
I worked with women who were nurses and workers, women who worked in hotels, janitors who basically cleaned buildings, worked two jobs just to support their family. And, it really taught me a lot about how much opportunity I had to do anything I wanted to with my life.
You can ask anybody who's ever worked for me or worked with me, who's ever served with me, when I tell you I'm going to try to do something, I will get up every single day and work my heart out for you.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
The set for 'Blade Runner' was maybe the hardest set I've ever worked on because I think we worked 50 nights in a row, and it was always raining.
I'd live in Glasgow if I could. I can't praise it enough; it's the nicest place I have ever worked and I've worked in a lot of nice places.
I had a lot of great bosses - I worked for Gina Prince-Bythewood for two years, I worked for Ava Duvernay as a PA on her first narrative film, and I worked with Mara Brock Akil, so a lot of wonderful role models.
I think Jive was just a shady label that they didn't want artists in the same room like, 'Hey, what you making?' Like I never worked with R. Kelly, I never worked with Q-Tip. I never worked with anybody that was on Jive. I never did a song with KRS-One.
My average duration in a job is more like six months, because I've done crisis and turnaround stuff for two decades. I've been in a lot of companies and not-for-profits and institutions that were really on fire; in a lot of ways, the Senate is the least urgent, least serious institution I've ever worked in.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.
I started when I was about 3, and worked and worked and worked. I sang at nursing homes, Walmarts, and still didn't get no place. But I had this feeling that I was almost there.
In reality, anybody who's a woman knows that you've got your good days and bad days, just like anybody else. I've been lucky with a lot of shows that I've worked on, where they are comfortable with the idea that women are not just one thing, and we can be contradiction.
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