A Quote by David Carradine

My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.
To make a kung fu film is like a dream come true, because I'm a big fan of kung fu movies and I'm learning kung fu for a long time.
Roger [Corman] didn't actually hire me, though. I was hired by AIP [American International Pictures], the studio that made the picture, which was Sam Arkoff and Jim Nicholson. It was a great learning experience for me, because not only did I work on the script, but they hired me back to go on location when they were making the movie, to write new scenes and so forth.
Actually, for me, I really love to do action movie. You know, most people, they know, they thought that I am a martial artist. I don't know why, but I love to do kung fu movie, you know?
I didn't have a job because nobody would hire me. My friends were getting hired, and I couldn't even get a job interview. That really rocked my self-esteem because I didn't understand what I did wrong on those job applications.
I play because I know I can play the game, so it's their decision whether or not they want to keep me or they wanna trade me. Whatever decision they make, I will understand it.
Hurdling is like Kung-fu. Everyone comes from a different school. And everybody says 'my Kung-fu is better than your Kung-fu.' You have to find the technique that best fits your body size.
Oriental DreamWorks did a lot of the surfacing of the village [in Kung Fu Panda 3] and you know all the little paintings on all the gables and everything? They have meaning, and they could do that because they know what that means, we don't necessarily know about that over here.
You're asked, 'Do you know kung-fu?' Yeah. That's what we do. We wake up, we brush our teeth, we do kung-fu!
But why do you want to talk to me?' He is going to say: 'Because you look so kind,' or 'Because you look so beautiful and kind,' or, subtly, 'Because you look as if you'll understand....' He says: 'Because I think you won't betray me.' I had meant to get this mean to talk to me and tell me all about it, and then be so devastatingly English that perhaps I should manage to hurt him a little in return for all the many times I've been hurt.... 'Because I think you won't betray me, because I think you won't betray me....' Now it won't be so easy.
A lot of times, they can't hire actors just because there's this obligation that the audiences don't know who they are, and it's about making money. For me, the project that felt like all of it was 'Rachel Getting Married' because I had such a good time on that movie. Jonathan Demme, to me, is one of the most actor-friendly directors.
I joined the 'Times' in 1972, and I came with the mark of Cain on me because I was clearly against the war. But my editor, Abe Rosenthal, he hired me because he liked stories. He used to come to the Washington bureau and almost literally pat me on the head and say, 'How is my little Commie today? What do you have for me?'
I always wanted to help people. I graduated from college and applied to a couple of police departments, Omaha and Denver, because I liked Denver a lot. It turns out they liked me and accepted me right away. I got hired both places, but I wanted to try fighting.
I started training judo when I was 5 years old. I didn't know much. My mom just took me and my brother to do some judo because we were very energetic. We did that for a couple of years. I don't know why we stopped, but I came back to try other forms of martial arts like kung fu and karate when I was 12 and never stopped.
'Kung Fu' was never cancelled; I just left. I decided I had enough of it, and I thought I should do a movie right away, because I think when you leave a television series, it's important that you establish the fact that you're a movie actor really quickly, or you might never get that chance.
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand.
I don't know much about any of the Hasidim because the men won't talk to me because I'm a woman, and the women won't talk to me because, while I am Jewish, I'm not Hasidic.
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