A Quote by David Carson

Invite the reader to participate by deciphering. Chaos can attract and engage. — © David Carson
Invite the reader to participate by deciphering. Chaos can attract and engage.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
Everybody has felt at one time or another that everyone else in the world had a better shot than they did, so when you engage that, you engage the reader, and I think you create a character that brings the reader more fully into the story.
You invite things to happen. You open the door. You inhale. And if you inhale the chaos, you give the chaos, the chaos gives back.
I rarely feel like I'm in chaos, but when I am, I usually [retreat] and try to find the eye of the storm; if I'm still and listen and don't engage, maybe the chaos will subside.
I invite you all to participate in Make in India.
If you're doing a good job as author, then you get the reader to engage in whatever speculation might be called for. And it's much more meaningful for the reader, if he or she comes up with the questions.
If a character is honest with a reader, then (hopefully) that will engage the reader's empathy centers; she'll meet that openness with acceptance, and they'll forge a nourishing and meaningful bond as the book continues.
From 2002 to the end of his presidency, George W. Bush routinely was accused by the Left of 'creating chaos:' chaos in Iraq, chaos in Afghanistan, chaos in the Muslim world, chaos among our allies.
I'm always trying to invite citizens to participate in the process of public decision-making.
When I began to write novels, I wanted to keep that element of interaction with the reader that exists in poetry, not just for the reader to be shepherded from A to B to C to D but to participate, and the less you say sometimes, the better it is. You know, it's the way when someone speaks very quietly, you move forward so you can listen more carefully.
There's something really special when you take an audience and instead of just being passive and watching, you invite them to participate.
The author always loads his dice, but he must never let the reader see that he has done so, and by the manipulation of his plot, he can engage the reader's attention so that he does not perceive the violence that has been done to him.
So we start with an oversignifying reader. Those texts that appear to reward this reader for this additional investment - text that we find exceptionally suggestive, apposite, or musical - are usually adjudged to be 'poetic'. ... The work of the poet is to contribute a text that will firstly invite such a reading; and secondly reward such a reading.
Philosophy is speculation, Zen is participation. Participate in the night leaving, participate in the evening coming, participate in the stars and participate in the clouds; make participation your lifestyle and the whole existence becomes such a joy, such an ecstasy. You could not have dreamed of a better universe.
Chaos is everywhere - and artists, to fashion art and live truthfully, have no choice but to invite this unwanted guest right into the studio.
I tend to think that the onus is on the writer to engage the reader, that the reader should not be expected to need the writer, that the writer has to prove it. All that stuff might add up to a kind of fun in the work. I like things that are about interesting subjects, which sounds self-evident.
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