A Quote by David Carson
Having done a lot of magazines, I'm very curious how big magazines handle big stories, and I was very curious to see how 'Time' and 'Newsweek' would handle 9/11. And I was basically pretty disappointed to see that they had chosen to show the photo we'd already seen a million times, which was basically the moment of impact.
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When you talk about the mental health problems, when people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over and you're strong and you can handle it. But a lot of people can't handle it. And they see horror stories. They see events that you couldn't see in a movie, nobody would believe it.
I'm very, very curious about how people live under the volcano, how they handle the permanence of danger.
I love fashion magazines and style magazines and when I'm travelling on an aeroplane I always have a big bag slung over my shoulder, which is full of magazines.
For some reason, a lot of Hollywood big shots are curious to see how they'd be drawn with bulging eyes and no chin.
When people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over, and you're strong and you can handle it, but a lot of people can't handle it.
I would like to see every woman know how to handle guns as naturally as they know how to handle babies.
When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."
I'm very curious about David Bowie's new record [2016]. I'm very, very... I'm just incredibly curious, I want to see what's happening with that. I don't really know who else is putting out records, we've had our heads buried working on ours. I haven't really been paying much attention lately.
I've always loved science, as far back as I can remember. I was very, very curious about how everything worked: the world, the physical universe, chemistry, law. So it was only natural to be curious about how our mind works.
The film's success so far involves winning a couple of prizes at Cannes and Sundance, and getting some very nice reviews in newspapers and magazines. That hasn't had a big impact on my life yet.
I naturally own a lot of very old magazines. And I enjoy going to old magazines because the advertisements in those magazines tended to have thousands of words of copy in them.
I was a contact hitter my whole career but I learned how to handle the ball inside. And Ted Williams played a big part in that. He gave me the advice on how to handle inside pitches.
It's easy to sit on a mountaintop and tell people what to do and how to be happy. I have chosen to do that. Not because it's easy, but for a different reason, which I would reveal, if your mind was ready to handle it, which it isn't, which is also very convenient for me.
I had never seen 'Vogue.' I didn't read fashion magazines, I read 'Time' and 'Newsweek.'
Also, when we did "Smallville," we didn't have an opportunity to interact with people who watched the show. And see what they had to say and listen to criticism and listen to praise at the same time. So a lot of this is a new experience and it's very interesting and rewarding for us. I think we get honest feedback. You get hate. You get a lot of love as well. And I'm actually very curious what people think of the show. For us, it's been a passion project of ours, and an incredibly challenging show to make.
After my hit 'Mynaa', big offers came to me. I didn't know how to handle things. Once you know how to handle things and you come of age, you want to do mature films.
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