A Quote by David Carson
Some people hate lime-green; red has all this emotional baggage. Blue seems to be overall one of the more positive colors, and a little more serious than yellow.
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It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.
I do remember when I was little - I had to have been no more than 6 - I redid my room. I talked my mom into taking me to a store, and I got, like, all coordinating blue, green, and yellow colors, and the theme was dinosaurs.
I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.
Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.
The distinct blue, red, and yellow colors... though they have not the kind of harmony which is produced by a variety of broken and transparent colors, have the effect of grandeur.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
The Louvre! The Louvre has me in its clutches. Every time I'm there rich blessings rain down upon me. I am coming to understand Titian more and more and learning to love him. And then there is Botticelli's sweet Madonna, with red roses behind her, standing against a blue-green sky. And Fiesole with his poignant little biblical stories, so simply told, often so glorious in their colors.
Red, electric blue - the only color I don't wear is green, which I still don't wear. I wear certain color greens, but I have such yellow skin so I always like to wear bold colors.
My childhood was elegant homes, tree lined streets, the milkman, building backyard forts, droning airplanes, blue skies, picket fences, green grass, cherry trees. Middle America as it’s supposed to be. But on the cherry tree there’s this pitch oozing out – some black, some yellow – and millions of red ants crawling all over it. I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath.
Very little thought goes into making this stuff I make. It is on impulse. I think of colors all day and suddenly if I think of ice blue, I wonder if red or yellow will go with it.
Yellow can express happiness, and then again, pain. There is flame red, blood red, and rose red; there is silver blue, sky blue, and thunder blue; every color harbors its own soul, delighting or disgusting or stimulating me.
I use very little red. I use blue, yellow, a little green, but especially... black, white and grey. There is a certain need in me for communication with human beings. Black and white is writing.
The colours red, blue and green are real. The colour yellow is a mystical experience shared by everybody.
Your playing is like salt water taffy. You see all the beautiful colors, red, yellow, blue, but they all taste the same.
A man who never lies must have green blood in his veins, or blue or yellow, but definitely not red!
Imagine a mosaic picture of a house in the country: lots of red and blue and yellow and black and brown and white and a dozen different shades of green tiles which make a beautiful picture if you stand back far enough. All the little red squares are true - true things, true places, true feelings. But the red squares aren't the picture. All the rest of it is lies and stories, often within the same sentence.
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