A Quote by David Caruso
Having a little boy has taken me to a very deep place. I am starting to realize everything I ever worried about was such a waste of time.
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I am too old to have ever been very worried about what "genre" any given book of mine might be. I read everything. I am easily amused.
It's very important that people realize: the air is being taken away, the oceans are being taken away, the room is being taken away, but we're so worried about gas prices that we don't even see this stuff.
It takes time to come into yourself and realize your worth and realize your place and try to fit in, and for some people, it doesn't happen until way later in life, but, luckily for me, I realize I am around people, and I can't try to be like anyone else because I am me, and that's what's cool about me.
I am worried about climate change. In one respect, I may be more worried than other people. I am worried because I have very little confidence that we know what is causing it....One of my fears is that we could reduce carbon emissions by some drastic amount, only to discover that-oops-it turns out that climate change is being caused by something else.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
Not having to own a car has made me realize what a waste of time the automobile is.
I am a collection of thoughts and memories and likes and dislikes. I am the things that have happened to me and the sum of everything I've ever done. I am the clothes I wear on my back. I am every place and every person and every object I have ever come across. I am a bag of bones stuck to a very large rock spinning a thousand miles an hour.
Nature Boy There was a boy A very strange enchanted boy They say he wandered very far, very far Over land and sea A little shy And sad of eye But very wise Was he And then one day A magic day he passed my way And while we spoke of many things, fools and kings This he said to me “The greatest thing You’ll ever learn Is just to love And be loved In return
Something about family and trying to relate it to the movie with, 'Oh, if I was to have a child how many kids do I want?' And 'do I want a boy or a girl?' I didn't realize you could place orders, I honestly didn't realize it was like a drive-through, that you could talk to a little electronic voice.
In the beginning, the media was calling me a bad boy all the time because of the way I act and feel onstage. None of them have ever taken the time to get to know me when I climb offstage.
As for me: I loyally remained right where I was, remembering the very first I had ever seen the boy and then just now, the very last time-and all the times in between. The deep aching grief I knew I would feel would come soon enough, but at that moment mostly what I felt was peace, secure in the knowledge that by living my life the way I had, everything had come down to this moment. I had fulfilled my purpose.
When I lived in Pinetop I just wanted to leave - I thought the city was where I belonged. But now that I'm living in the city, I love it for what it is. It's brought me closer to my art and put me in the right place as far as having people around me. It's very inspiring, but I miss our little town. There's something very simple and beautiful about growing up in a small place. That's where my heart is, for real.
I am the kind of guy who has never taken myself too seriously. I mean, I am very serious about what I do; I'm very serious about the creative process and everything, but at the end of the day, I am just another lucky geek who got to live out a dream, you know?
I wouldn't trade anything for family time. To me, it is more important than everything else, and I have a very deep-rooted belief in it, which is influenced by my Jewish faith. That's a very great source of who I am and what I believe in.
What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.
You realize true magic of cinema when you put the right people together, at the right time, with the right kind of project, where they're not worried about their salary, they're not worried about their caravan.
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