A Quote by David Cassidy

I don't want to end up being some joke on a bad TV series. — © David Cassidy
I don't want to end up being some joke on a bad TV series.
I don't usually watch a lot of TV, but 'Mad Men' changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
I don't usually watch a lot of TV, but Mad Men changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
Well, TV series tie you up. You can't do films while you're doing a TV series.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
There are certain jokes that indicate how mainstream a comic is. If you're talking about how the side effects of drugs that they advertise on TV are worse than the actual illness they're supposed to prevent, that's like the hackiest joke out there now. If you're still doing that joke, that usually is an indicator of being mainstream, in a bad way.
Ati sarvatra varjayet: Excess of anything is bad. Some of us are attracted to Good. But the universe tries to maintain balance. So what is good for some may end up being bad for others... Agriculture is good for us humans as it gives us an assured supply of food, but it is bad for the animals that lose their forest and grazing land.
The nice thing about a series is you can end on cliffhangers all the time. You can be like, 'You know what? Here we go, this person just died, end of book.' And with the end of the series, you're very conscious of all the plotlines that were left hanging. There's a balance there to wrap those up but still leave it exciting.
Whenever I have tried to make a character bad, they end up being good in some way.
Research sometimes feels like an ongoing TV series in which some amazing revelations have already been made, but there are still plenty of cliff-hangers and unresolved plotlines that you want to see resolved. But unlike TV, we have to do the work ourselves to figure out what happens next.
Death meant little to me. It was the last joke in a series of bad jokes.
At bottom, to be colored means that one has been caught in some utterly unbelievable cosmic joke, a joke so hideous and in such bad taste that it defeats all categories and definitions.
I love Greek Mythology, wish there was a TV series, like being human or smallville, but with the series based around Percy Jackson and the Olympians, Holla Mayne!
If I have several bad guys and I only want to end up with one of them, then I have to decide which one I want in the end. And normally it's the one who is the most interesting talker.
TV's not the problem, and I'm tired of it being posed as this antithesis to creativity and productivity. If TV's getting in your way of writing a book, then you don't want to write a book bad enough.
I worked on Crash, the TV series, some Disney shows like Get Connected, Brain Surge & iCarly on Nickelodeon, but Make It Pop is my very first lead role in a series.
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