A Quote by David Cassidy

There were times when I was a joke, but talent survives. — © David Cassidy
There were times when I was a joke, but talent survives.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times, and then one night it'll flop.
Talent alone doesn't matter in this industry, and everyone knows this. If someone says, 'Good films are done', 'Talent always survives', there are other factors, too, which are far more important.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
It is not the most intellectual of the species that survives; it is not the strongest that survives; but the species that survives is the one that is able best to adapt and adjust to the changing environment in which it finds itself.
Talent survives and remains while beauty is diluted.
After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times and then one night it’ll flop. And that’s when I really take a hard look at myself and say: "Well, that crowd is obviously wrong. That crowd has absolutely no idea what it’s talking about."
After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times and then one night it'll flop. And that's when I really take a hard look at myself and say: 'Well, that crowd is obviously wrong. That crowd has absolutely no idea what it's talking about.'
A lot of times, comedy writers will go for the gay joke, and I've been vocal about saying, 'Go for the smart joke.'
I love doing theaters, cracking people up, hearing them physically roll in the aisles. But we need to get serious. These are serious times. No joke. No joke.
A lot of times people come up to me saying 'oh my god you can see,' and they think they're the first person to think of that joke, but they're probably the 10,000th one to say that joke.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
nerve, not talent, is the one necessary and sufficient trait for success. (Wouldn't it be ideal if it were talent? But talent with no nerve is like the sound of one hand clapping.
Stewardesses were a joke to many of us coming of age in the liberated Sixties. They were no joke in the women's movement that liberated us, however.
There were plenty of times some writers would make some kind of stupid joke to each other and then it was on TV that night or that week.
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