A Quote by David Cassidy

I hitched up to Haight-Ashbury in the Summer of Love, you know? And I was very much politically aligned with that whole mentality, the whole ideology of that generation, the music, the culture, the behavior.
I grew up in that era of Hendrix and Joplin and The Doors, and the Summer of Love and Haight-Ashbury, and even the Panthers. That was my era; that's what I was into.
The '60s and '70s - I grew up in the Haight-Ashbury - people around me were going to school by day and all night long having these incredibly exciting meetings, mobilizing, marching, drafting statements. It was very intoxicating. It was very energizing. We've really forgotten a lot of those skills. Or they haven't been transmitted. It's useful to the people controlling us to have those skills not be available.
I don't believe in the clash of cultures. The culture is one. The culture is a ring off the same chain. Picasso was very much influenced by the African arts, and he influenced a whole other generation of artists. So everything influences everything.
L.A.'s hippies are actually quite scary - more like Hell's Angels than the Haight-Ashbury hippies of San Francisco.
In the industry there's this whole mentality of working with someone who can open the door for you, but my whole thing is that I like my work to speak for itself. So I still do have that same mentality.
I don't love the whole Hollywood mentality, but I do love the weather and how motivated everyone is around here. It motivates me to make fun music.
A person can do a lot of reading and research as I have done. I went to Spain and spent a whole summer there with my family, immersing myself in the culture. But all that isn't really necessary to experience the music.
I love the whole Punjabi culture as I have seen it very closely in Delhi in my growing up years.
Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.
I don't love the whole Hollywood mentality, but I do love the weather and how motivated everyone is around here. It motivates me to make fun music. I'm an East Coaster - I'm from New Jersey, so I'll probably feel like that forever.
I am very attracted to the United States. Why? Well, as a little kid from Southern Italy, not from a wealthy family, it was always my dream to go to the Big Apple. I'm not one to listen to classical music. I am very much for what is American, but I also prefer the America of the ghetto. I love the Bronx. I love hip-hop and R&B. I love electro-Latino, Latin music, that whole realm.
to the extent that either sex is disadvantaged, the whole culture is poorer, and the sex that, superficially, inherits the earth, inherits only a very partial legacy. The more whole the culture, the more whole each member, each man, each woman, each child will be.
I did go to Vietnam in 2000 as a kind of pilgrimage and to feel my generation was very much a part of this. I felt responsible but also connected and empathetic. It was a very complicated relationship we had, whichever side you were on. The shock of being there was very few people my own age - I was primarily in the North in the streets of Hanoi. A whole generation was essentially decimated.
I love classical music. I love a lot of musicians playing together and the whole culture of that, whether it's Indian or it's Western.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that, whether it's Indian or it's Western.
I have this massive love for the whole culture of pop music. It's my fascination, my ongoing passion.
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