A Quote by David Chang
Say a child raises this beautiful beet. It's going to give her a sense of ownership, and that changes everything. You stop taking things for granted; you become less wasteful.
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There's not one woman in America who does not care about her hair, but we give it way too much value. We deprive ourselves of things, we use it to destroy each other, we'll look at a child and judge a mother and her sense of motherhood by the way the child's hair looks. I am not going to traumatize my child about her hair. I want her to love her hair.
Life changes when you have a child, when you have your own family. You become more careful about what you do. You're not going to be out late, going out to clubs, hanging out with your friends. You're going to be at home, taking care of your daughter, playing with her.
Everything changes when you become president. Everything. The things that you've said during the campaign on military strategy and policy, it automatically changes when you become a commander-in-chief.
In fact, we will have to give up taking things for granted, even the apparently simple things. We have to learn to understand nature and not merely to observe it and endure what it imposes on us. Stupidity, from being an amiable individual defect, has become a social crime.
A sense of solitude is one of the most beautiful things that parents can give a child. It doesn't mean leaving the child alone, but it does mean creating safe spaces where the child can be with other people. It does mean directing their attention to God.
The more often we see the things around us - even the beautiful and wonderful things - the more they become invisible to us. That is why we often take for granted the beauty of this world: the flowers, the trees, the birds, the clouds - even those we love. Because we see things so often, we see them less and less.
We might hope to change the world through better, bigger programs to stop global warming, but global warming will not end unless people become less greedy and less wasteful, gaining a fresh vision of what it means to love our global neighbor.
Everything I am going to say to you is the child of a conversation. [...] That is the aspect of conversation that particularly excites me: how conversation changes the way you see the world, and even changes the world.
Whenever a conscious Black woman raises her voice on issues central to her existence, somebody is going to call her strident, because they don't want to hear about it, nor us. I refuse to be silenced and I refuse to be trivialized, even if I do not say what I have to say perfectly.
Everything that you do or say that raises the self-esteem of another raises yours as well.
We will have to give up taking things for granted, even the apparently simple things.
It's difficult being a child actor. I don't think everything beautiful has to be exploited. Some things can be beautiful and left beautiful.
As a child, I'd help my mum cook, and it was ridiculous - she had the correct gadget or utensil for everything. 'Stop! Don't use that, I have exactly the right utensil.' After I left home, I survived on cup-a-meals and never saw myself as being like her. Now I've become her.
I thought, writing is everything, it's so much more important than this or that. If only I could give that young man a stern talking to. Having a child changes things quite a bit.
Swami cannot give peace of mind; you must work for it yourselves. First, stop the questioning and ask, 'who am I?'. This is my body, my mind, my intelligence. But who is this 'My'? Who is it that claims the ownership of that which is declared to be 'mine'? 'My' indicates ownership. That 'My' is the life. As long as the life is in the body, there is this connection between the 'my' and the intellect - 'my' body, 'my' house, 'my' land. But the moment you remove the life from the body, there is no 'my' or sense of possession. Life is God.
On one level, I'm interested in how the space dictates the effect visually - how the composition of a given work changes depending on the nature of each wall. But I'm also trying to emphasize less tangible elements: the amount of time it takes to walk the gallery's perimeter; how one's physical distance affects his or her sense of the overall composition; how the size of the space creates a sense of visual rhythm. It's really a matter of seeing how much structure is necessary to impose for those things to become apparent.
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