A Quote by David Chase
I have a huge editor in my head who's always making me miserable. But sometimes, I try to let my unconscious act out.
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As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.
The high point of the act is when he (Uri Durov) puts his head inside the bear's huge jaws. I wouldn't even try that with my agent.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I always say about my daughters, they save me from my miserable self. They take me out, you know, a comedian, you could live in your head a lot. And you're writing and you're doubting. But when I'm with my kids and my family, it's all about them.
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
I always try to write from memory, and I always try to use memory as an editor. So when I'm thinking of something like a relationship or whatever, then I'm letting my memory tell me what the important things were.
Never submit an idea or chapter to an editor or publisher, no matter how much he would like you to. Writing from the approved idea is (another) gravely serious time-waster. This is your story. Try and find out what your editor wants in advance, but then try and give it to him in one piece.
I'm thinking about anything and everything. I'm making stuff up in my head, I'm using sense memory. Sometimes when it doesn't come and you've got no choice because you're getting paid to do it, you grasp at straws. It's always easy now with my kids. I just create some "what-ifs" in my head, something horrible that would devastate me as a mother.
I'm not done yet making people miserable. If they're going to make me miserable, then I'm going to make them miserable.
It's about showing up. And sometimes I don't do it. I almost always regret it, but sometimes I don't do it. Sometimes I walk into a situation where I'm intimidated and I want to be liked and I want to fit in, and I don't choose authenticity. And it's always pretty miserable.
The biggest danger, for me, with making yourself your act is that a lot of people with think they know you for better or worse. That's an ongoing struggle with me and it can get really trippy sometimes. I try to be strong about it and assure myself that only my close friends and family can really pass judgement on me personally, but it's impossible to not let it get to you.
Sometimes an artist's vision may get blurred when subjected to a committee because an artwork is usually an expression of something unconscious that is better left in the realm of one person's unconscious if it is to speak to another person's unconscious.
I am not the editor of a newspaper and shall always try to do right and be good so that God will not make me one.
If your ex is making things up about you, he's obviously miserable. It's just like, 'Wow, this person really cares to go out of their way to start a rumor about me.' I've dealt with it so much, obviously. The first couple of times, it really sucks. But then [they] just come out with something else. If you dwell on it, it's going to make you miserable. Just move on and laugh it off.
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