A Quote by David Chipperfield

I have always worked a bit with fashion people. I worked with Issey Miyake for a while, then Dolce & Gabbana; now we're working with Valentino. It's fine. The fashion world is a fairly weird world, but there are good people in it. It's weird because their timetables are unbearable.
Movies are weird; it's like trying to make a painting with one hundred people. It's a weird world, but every job is weird; it's always a little bit hard, crazy and fun, a nice combination.
I've mostly worked in weird films playing weird characters, probably because I'm a weird person.
I was spoiled when I worked in the magazine world. Fashion closets are heaven and I seem to model my organization after a fashion closet.
Fashion as a whole is a farce, completely. The people behind it are perverted, the styles are created by freaked out people, just natural weirdos. I know this because I worked with all those people while I was modeling.
In the Sixties people took acid to make the world weird. Now the world is weird, people take Prozac to make it normal.
I have always been drawn to fashion from an aesthetic and consumer standpoint. I honestly never thought that I could take my business training and apply it here. I worked in retail and was into fashion. It was something I liked, and people trusted my opinion.
Photography really is all about lines, and so is clothing. I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.
Mariah's fashion game is definitely on a different level than mine. She actually knows Roberto Cavalli and Dolce & Gabbana. I didn't know those people actually existed; I thought they were just names.
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
In the 60s people took acid to make the world weird. Now the world is weird and people take Prozac to make it normal. In the animal kingdom, the rule is, eat or be eaten; in the human kingdom, define or be defined.
I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for.
I am weird, you are weird. Everyone in this world is weird. One day two people come together in mutual weirdness and fall in love.
I love Rag & Bone, Dior, and Valentino; I like feminine, sexy things. Dolce & Gabbana and Chanel, too.
I wasn't that into it or that knowledgeable of fashion until I started working on 'True Jackson.' I feel like it was my duty to learn more because people would feel that I should because I'm on the show. So definitely, that made me more involved with fashion, and now I'm a little fashion guru. It's totally out of control.
I've always wanted to work with Barbra Streisand because she's worked with some of the best background singers in the world who are friends of mine, worked with them in concert or on movie soundtracks, and I always say 'Now, where was I? Where was I when she was hiring people to work with her?'
Love scenes are always weird, though. They're always uncomfortable. It's all the people around who make it uncomfortable. It's not usually the actor you're working with, because they usually feel just as weird as you do!
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