A Quote by David Cobley
All of us take an interest, to a greater or lesser extent, in what people around us look like, what they are doing, and why they are doing it.
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What greater bliss than to look back on days spent in usefulness, in doing good to those around us.
In the end, we must restore a balance within ourselves between who we are and what we are doing. Each of us must take a greater personal responsibility for this deteriorating global environment; each of us must take a hard look at the habits of mind and action that reflect - and have led to - this grave crisis.
Readers no longer need novelists to tell us what it's like to cross the world on a ship or fight a war. In the twenty-first century, we get that information in other ways. The thing that's still a mystery to us is the human heart. What we want is to understand people, what they're doing, and why they're doing it.
As soon as we get comfortable in one role, we have to take on another! Why? ... Because he wants to keep us off balance! That's why! Because he doesn't want us to THINK! He doesn't want us to QUESTION HIS AUTHORITY! So he keeps us busy! Keeps us running in circles! Like mice! Rushing from one role to the next! Well, I'm on to his game! I see what he's doing! And I refuse to participate!
Most of the things at the zoo don't look like us. We're one design that works. Our chimp pals sort of look like us, so that's a different take on the same basic design. But fish don't look like us, and giraffes don't. They look a little like us, but not too much. And insects certainly don't look like us, and they work just fine.
We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.
Why do we have to have people come from afar to come and grow food for us, or to grow food to sell to us? It is partly because we are almost becoming used to people doing things for us. Like somebody else is going to solve that problem for us. And that to me is very disempowering system.
To a greater or lesser extent there goes on in every person a struggle between two forces: the longing for privacy and the urge to go places: the introversion, interest directed within oneself toward one's own inner life of vigorous thought and fancy; and extroversion, interest directed outward, toward the external world of people and tangible values.
Over the past several years, all of us as Canadians, and as members of the North American cultural and economic environment, have been to a greater or lesser extent party to a significant attitudinal change towards our culture.
What I really love, is finding a script and fantasizing and going to a different world and kind of portraying a character that is interesting. Because other lives interest us, that's why we read magazines like People and try and fascinate and drool over what other people are doing.
And that's what I really love, is finding a script and fantasizing and going to a different world and kind of portraying a character that is interesting. Because other lives interest us, that's why we read magazines like 'People' and try and fascinate and drool over what other people are doing.
The biggest problem for my generation is that people who were born years before us have no concept of us at all. There's a massive gap. I don't know why, but we were really like orphans. Those people competed against us, they hated us and fought for things, and yet they had no interest in our work.
Marvel has always been to a large extent the world around us. It has to be evocative of the world around us, the feelings people are feeling. You take real-world concerns and you put a Marvel face on it.
I think, what happened with 'Dead Silence' is that other people told us that we should be doing that and now that I look back, I realize, 'should' is not a word that comes into an art. It's whatever you're feeling like doing.
I remember that Michael Werner told me about a famous collector, and Michael set up an appointment for us to meet. This man looked around the room and at my pictures. Then he said, "Young man, why are you doing these horrible things? Look out the window. There are nice girls out there. It's springtime. Look at how beautiful the world can be. You'll ruin your health by smoking so much and doing such tortured things."
Frank Capra made a series of films during World War II called 'Why We Fight' that explored America's reasons for entering the war. Today, with our troops engaged in Iraq and elsewhere for reasons far less clear, I think it's crucial to ask the questions: 'Why are we doing what we are doing? What is it doing to others? And what is it doing to us?'
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