A Quote by David Copperfield

Usually, about two years of work go into each illusion, whether it's big or small. Two years of work on each five-minute piece. — © David Copperfield
Usually, about two years of work go into each illusion, whether it's big or small. Two years of work on each five-minute piece.
Each book takes anywhere from two to three years to complete, from concept to outline to final edits. I work on as many as five at a time.
Interruptions: The average worker gets interrupted five times each hour. It takes an average of 5 minutes to handle each interruption and 1 minute to get back to what you were doing. This adds up to 30 minutes each hour or 50% of your time!! You've got to think about "big things" while you're doing small things, so that all the small things go in the right direction.
Mr. Russell is a great believer in versatility in all creative work. In any physical work he believes one can work many hours at a time, but in mental, creative work he believes one can do his best only for two hours at a time on any one subject, but he can work another two hours on another subject with equal freshness. He therefore sometimes works two hours a day on each of five different creations, and in that way can live five lives at a time.
In my experience in series TV, if you have a good crew and a great cast, it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other, and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
In my experience in series TV if you have a good crew and a great cast it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
It depends on what your dream might be, as to whether or not it's still possible when you're, say, fifty or sixty. You won't ever pitch for the big leagues, for example. But I believe anyone, regardless of age, can write if he or she is willing to do the work, and I'm talking about spending at least an hour or two at it almost every day for five to ten years.
I did 30 Minute Meals for five years on local television, and I earned nothing the first two years. Then I earned $50 a segment. I spent more than that on gas and groceries, but I really enjoyed making the show and I loved going to a viewer's house each week. I knew I enjoyed it, so I stuck with it even though it cost me.
Entire years had passed when he was rich enough in time to disregard the loose change of a minute, but now he obsessed over each one, this minute, the next minute, the one following, all of which were different terms for the same illusion.
In the national team you only see each other two or three times a month, which makes it difficult to work on some of the most important aspects of the game. But if you've known each other for so many years, these things go a little more smoothly. It makes everything a little easier.
I'm very much a man of the moment. I can think about an idea for a year, two years, even four years all right, but what ever is going on with me the moment I write is gonna work it's way into the piece.
I constantly work with material that could be two years old, five years old, ten years old, as well as new things.
For the Patriots, you can be a cheerleader for four years. They can be four consecutive years. You can do two years and take a break, and then come back for two more years. I've actually only completed two years, two seasons with the Patriots cheerleading team.
I realized that when two people function well together at work, it doesn't matter if they hadn't seen each other for years. What they had before was still intact.
Marriage isn't about a collection of scenes over ten years of two people telling each other that they love each other. It's about commitment.
I work with this wonderful five-piece band, The Tony Guerrero Quintet, along with Kate Flannery, who was Meredith the Drunk in The Office, and Tim Davis, who was the vocal arranger on Glee. The three of us sing, and the band is amazing. We've been working together for about two years. So, we decided to do a Christmas album in July.
When two teams skirmish with each other or the two drivers don't like talking to each other, all you do is go backward. There's no doubt about it.
This site uses cookies to ensure you get the best experience. More info...
Got it!