A Quote by David Copperfield

I've always taken a lot of cues from comedy minds. The guy that discovered me in the very beginning was Joseph Cates. Joe and Gil Cates were the Cates brothers. Gil produced the Oscars for many years. Joe produced a lot of comedy specials, Steve Martin specials, and he discovered me, this 18-year-old kid.
Later, when I was at Caesar's Palace, and [Joe and Gil Cates] were trying to get me to have opening acts for the show, they gave me a list of people, and Rosie O'Donnell was one of them. I said, "I don't really need any opening acts. I have funny stuff in the show, and I do a lot of comedy and stuff."
[ Gil Cates] said, "You've got a point of view with your magic. There's this comedy to it, there's drama. You're telling stories with magic."
I loved George Carlin... I used to sit in front of the TV and watch the HBO comedy specials. I loved those comedy specials.
I'd sell my soul to have you. In my whole life, you'll always be what I wanted most." ~ Hardy Cates
A lot of stand-up specials for cable are meant to glorify the comedian. They put you in a really beautiful theater, and sometimes they even blow a little smoke in there to make it misty and sweet. They make the guy look like he's a big rock star. But comedy's not really glamorous. It doesn't enhance comedy for it to look good.
I'm a big fan of PlayStation 4. I like watching movies, TV shows, comedy specials, and listening to comedy albums and music. I'm also a big fan of getting coffee with a friend or catching up on the phone with people I've known for years, people who keep me grounded, who knew me before.
I know a lot of friends and family who were Joe Montana fans, where it didn't matter how well Steve Young did. They weren't going to cheer for him because he wasn't Joe Montana.
HBO was a big thing for stand-up, and when you're a broke kid with absolutely nothing to do on the weekend, there was always video recording your HBO specials. I would just rewind those specials and watch them like they were new again.
When I discovered Gil Scott-Heron, I discovered a musical hero, a man who spoke baritone truth to power over jazzy funk at a time when funky music was primarily about shake, shake, shaking your booty.
I always feel like you don't do comedy for the special - you do the specials so you can do comedy. That's like a commercial for people to come out and support the new shows.
Hardy Cates," I said, coming into the room, "you behave, or I'll step on your tube." The nurse seemed taken aback by my unsympathetic bedside manner. But Hardy's gaze met mine in a moment of bright, hot voltage, and he relaxed, reassured in a way that cooing sympathy could never have done. "That only works if it's a breathing tube," he told me.
America has not produced a more salient political musician than Gil Scott-Heron.
Some people do specials, like, when they've only been doing comedy for three years or something. Which is fine! But I'm kind of old fashioned, and I knew that I didn't want to do one too early.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
Cartola is an artist from Brazil who didn't record until much later in his life, but had a big influence on a lot of famous artists down there, like Gilberto Gil. I discovered his music recently when I was in Brazil.
I keep doing specials because I think there are a lot of people who make movies and TV who are fans of comedy - if they start to like you, they'll get a project going and call you in.
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