A Quote by David Copperfield

In magic, it takes two or three years for me to create a 5-minute illusion for me to get it to the level I want. — © David Copperfield
In magic, it takes two or three years for me to create a 5-minute illusion for me to get it to the level I want.
When you see me do a five-minute thing, there's been about two years of preparation behind that. You know, I find that's what it takes to really make it the level of quality I prefer.
It takes me two to three years to write a novel. A screenplay is 100 pages and takes five years.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
Do you hate me because I have magic?" "Of course not." "Do you love me despite my magic?" He thought a minute. "No. I love everything about you, and your magic is part of you. That was how I got past the Confessor's magic. If I had loved you despite your power, I wouldn't have been accepting you for who you are. Your magic would have destroyed me.
As an actor, I give 60 days to act in a film, but the writer takes nearly two to three years to create a story.
Give me a few hours, and I can teach anyone how to get in and out on a Hobie. To get to the top level of competition, however, takes years. On a 16- or 18-footer, the total weight between the two people should range from 275-295, and you've gotta be a reasonably coordinated person to be any good at it.
If you want me to give you a two-hour presentation, I am ready today. If you want only a five-minute speech, it will take me two weeks to prepare.
If you sue somebody it takes two years, three years, and your anger just gets lost in between. And even if you win or lose the trial, it takes such a long time. If you want to really take a personal revenge, you'd better do it by yourself and at the right time.
Usually, about two years of work go into each illusion, whether it's big or small. Two years of work on each five-minute piece.
It takes me about three years to write a book. They're very complex, and they take a lot of research, but also because the more popular your books get, the more popular you get, and people want to haul you off and look at you.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
Well, I also love magic, which is, you know, different than showmanship. Magic's an art where you use slight of hand or illusion to create wonder.
Entire years had passed when he was rich enough in time to disregard the loose change of a minute, but now he obsessed over each one, this minute, the next minute, the one following, all of which were different terms for the same illusion.
When I'd be out-and-about at a club and the music would come on, I was never the guy that was gonna dance. But after Magic Mike - I have like two or three go-to moves. That's what Magic Mike gave me.
I want to do some skating and then go to law school in three years. I'm enjoying it and I'm going to see where it takes me.
A lot of documentaries have been made very quickly, but I think they're like frogs in an ecosystem: They're harbingers. Film is always two or three years behind, because it takes so long to write a script, get financing, and get it made. It just takes a while. But I think it's coming. It has to.
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