A Quote by David Copperfield

Magic and new technology have always walked hand in hand - even back in the days of Robert Houdin. — © David Copperfield
Magic and new technology have always walked hand in hand - even back in the days of Robert Houdin.
Music and fashion really do go hand in hand. This is even going back to the reggae days.
I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
You can't turn back technology and you can't turn back authoritarianism. You can't have one hand in the dirt and one hand in the crystal clear water and say that you're clean. That's just the way it is.
This hand is not very active always, because it was in this hand that I carried my books. My carrying hand was always my strongest. Now I think my other hand has developed more muscles from signing all those autographs.
You go back to the Baldur's Gate days, we literally had 32-pixel characters strutting across the screen, and we'd have a couple lines of voice and a lot of text. On one hand, it's a reflection of the evolution of the technology. On the other hand, though, I think it's a reflection of our aspirations. We've always felt that the medium can get more and more cinematic, and I think when it follows the convention of Mass Effect 2 film, it grows more and more compelling. There's a hundred years of knowledge and learning in that space that we can then apply.
Scientists tell us that we have enough technology to save our planet. . . . Yet we don't take advantage of this new technology. . . . The technological has to work hand-in-hand with the spiritual. Our spiritual life is the element that can bring about the energies of peace, calm, brotherhood, understanding, and compassion. Without that, our planet doesn't stand a chance.
In all honesty plastic surgery these days goes hand-in-hand with beauty maintenance. It's nothing new. Who I am, my body, I was not created from surgery, at all, whatsoever.
Technology has made music accessible in a philosophically interesting way, which is great. But on the other hand, when everybody has the ability to make magic, it's like there's no more magic - if the audience can just do it themselves, why are they going to bother?
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often, the magic he was doing was to fool other magicians.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.
In Kamby Bolongo Mean River damage and delusion walk hand in hand, and everything we think we know is gradually called into question. Reading like a cross between Samuel Beckett's 'The Calmative' and Gordon Lish's Dear Mr. Capote, Robert Lopez's new novel gets under your skin and latches on.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
I find it hard to believe that the machine would go into the creative artist's hand even were that magic hand in true place. It has been too far exploited by industrialism and science at expense to art and true religion.
Despite my firm convictions, I have always been a man who tries to face facts, and to accept the reality of life as new experience and new knowledge unfolds. I have always kept an open mind, a flexibility that must go hand in hand with every form of the intelligent search for truth.
Even when I work with computers, with high technology, I always try to put in the touch of the hand.
Well, it's always been my nature to take chances My right hand drawing back while my left hand advances
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