A Quote by David Crane

We were advised that nobody could stop us from pursuing our craft simply because we had honed, or even developed that craft while working at a company. — © David Crane
We were advised that nobody could stop us from pursuing our craft simply because we had honed, or even developed that craft while working at a company.
All the craft skills that I have, I feel like I developed and honed in drama school. It's the most important thing for me.
I actually really love working with young actors because they're so responsive and instinctive, and it's a much less honed craft that they're employing.
You need to work at the craft of songwriting, but not only the craft. When I see people working both on themselves and the craft, and they combine those things...I just go, That's just fabulous.
I don't think I could have learnt as much about my craft working with stars. Just the sheer freedom you get while working with newcomers is exciting.
The development process is not that simple... When I started working at Fox in '92, the company had decided that dramas were dead: they weren't viable businesses and because newsmagazines were so efficient to produce and financially so much more tolerable than a drama. So that year, our company developed very few dramas.
In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
The difference between art and craft lies not in the tools you hold in your hands, but in the mental set that guides them. For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.
Photography is a craft. Anyone can learn a craft with normal intelligence and application. To take it beyond the craft is something else. That's when magic comes in. And I don't know that there's any explanation for that.
I honed my craft in the military, because it's the only thing that got me through it, to be honest. Working on music - being able to come home and work on music whenever I got off - was essential. If I didn't have that, I probably would've lost my mind.
I think the biggest advice I can offer is don't just pick one story and stop, write as much as you can, as many stories as you can. The best thing about being a writer is, a writer's craft is nearly perfect because a writer can go anywhere and do his craft.
I roll from my bedroom into my workroom in the morning and craft-craft-craft.
The fact that I still find so much beauty in a handicraft is because my mother taught us to see not just the craft as a product but the craft as an embodiment of human creativity and human labor.
While I understand the Howard Stern comparisons to help contextualize my craft for other people, and while I relate to the moral stance he took against a bigger corporate machine, that's probably where our similarities stop.
150 years ago in [Charles] Dickens's time there was at least a sense of craft. So some of the things people had inside of them, they had the possibility of expressing in the making of things - even in a daily way with their clothes or their food. People made a good deal of both themselves. Now our daily lives are almost all consumption. Craft plays a tiny role.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
I am a story-teller working with a craft. My job is to use my craft - which is a different thing to my race - and tell a story well.
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