A Quote by David Crosby
When I was 11 years old, my parents wanted me to do something besides get in trouble. So they enrolled me in sailing classes at the Sea Shell Association in Santa Barbara, Calif. From the moment I climbed into that 8-foot dinghy in 1952, I knew instinctively what to do and sensed I had done it before.
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A singular disadvantage of the sea lies in the fact that after successfully surmounting one wave you discover another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats. In a ten-foot dinghy one can get an idea of the resources of the sea in the line of waves that is not probable to the average experience, which is never at sea in a dinghy.
I live in Santa Barbara. My wife's American, and she lived in England for 11 years and then told me she'd had enough.
My parents moved to American Samoa when I was three or four years old. My dad was principal of a high school there. It was idyllic for a kid. I had a whole island for a backyard. I lived there until I was eight years old and we moved to Santa Barbara.
There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.
I knew I had to be on stage. I always felt like there was something bigger and better for me. If not that, I would be a hair stylist for sure. I almost enrolled at Vidal Sassoon hair academy in Santa Monica.
I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.
Earwolf had approached me a long time ago, even before I had started the 'Pod F. Tompkast.' I knew that I wanted to do a podcast, and I knew everyone there and that it was something for me to do, but I didn't know quite what I wanted to do yet.
It is sad that it was necessary that Santa Barbara should be the example that had to bring it to the attention of the American people. What is involved is the use of our resources of the sea and of the land in a more effective way and with more concern for preserving the beauty and the natural resources that are so important to any kind of society that we want for the future. The Santa Barbara incident has frankly touched the conscience of the American people.
I'm the youngest of five kids, and I wanted attention. And in Santa Barbara, there was lots of theater going on, so for that area, it was a little bit like playing Little League baseball. There were dance classes, theater classes, and I just loved it.
A soldier in Iraq said that he wanted to "punch Donald Rumsfeld in the gut, then in the face" or something like that. He wanted me to use his name, but I knew he'd get in trouble, so I didn't. However, I felt it was a great quote because it summed up the frustration of those guys at that moment.
I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
My parents weren't involved in show business, but my parents would show me. We'd watch old films in the house. Little film festivals of Westerns and stuff like that when I was a kid. I knew I wanted to be those guys in those movies before I knew what being an actor was.
I think that when I was child, acting was mostly just a hobby for me. It was something that my parents encouraged me to think of the way that my brothers thought of their cross-country classes, or my little sister to dance classes and art classes, and it was something like that for me.
I still can't figure out what inspired me to do physics. But since I was nine or ten years old, I wanted to be like [Albert] Einstein. He was my hero. I knew no physicists. I knew no scientists. I had nobody around me. And I went to a convent that didn't even have higher mathematics and physics. I taught myself these subjects in order to get into university.
He had a way with him. Before you had a chance to say no, he was there and done. That only happened to me once before, with a duke, who literally swept me off my feet, and before I knew what was happening, we'd done it. Another terrible mistake.
This distraction is what one wants, which is very, very bad for the muse, because the muse hates not being in the line of sight. It's no longer an external conflict, like, oh, I have all these demands and I don't like them. The split is in the self.?This may explain why, when I was in Santa Barbara before I went to Singapore and then now to Hong Kong, there was a writing moment when I was writing a poem a day. I had never done that before.
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