A Quote by David Crosby

I would do a Byrds tour or a Byrds record in a minute. I miss that band now. I've tried to convince Roger over and over to do it, but he's not interested. Music isn't something you can legislate into being.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).
Folk-rock hasn't changed much over the decades since the Byrds started it.
The nature of music fandom and music fans is that, very often, they fall in love with a band or a particular artist, and they really would like... I'm talking generally; that's not everyone. But a vast majority of the fan base would prefer the band to keep making the same record and the same style of music over and over again.
I remember that first week at the Whisky and the gigs we (The Buffalo Springfield) did with the Byrds, We could really smoke ! That band never got on record as bad, and as hard as we were. Live we sounded like the Rolling Stones.
I loved playing the stuff we did in the Byrds. It was a good band. I was lucky to be in it.
Being in a band can be really toxic to being in a relationship, considering all the touring and everything. Sometimes when you're on tour, it feels like you're living the same day over and over again.
I'd like to tour, but again, to tour my music now would take a bigger band.
I'd like to be remembered as a keeper of the flame who kept traditional music alive, because I've been doing that twice as long as I was in the Byrds.
When The Byrds started country-rock, we had no idea there would be such a thing. We were just trying to honor the music. We started listening to country radio. We went to Nudie's and got cowboy clothes.
The Rascals are something else. They're up there with the Beatles, and Stones and Byrds. That level of musicality. They have a real chemistry. It is like magic.
I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I would love the record industry to be more receptive to my music but all they are interested in is style over content.
I'm happy with the Byrds as a good memory.
You don't see a lot of difference between the Gin Blossoms and the Byrds.
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