A Quote by David Cross

And it's one more shitty thing to write about somebody, in between getting really, really, really upset at female Ghostbusters and Gamergate, and the things that really matter.
I really, really wanted to write about just female relationships with other females and things.
I was sent this thing called 10 Things I Hate About You, which I thought was really sweet and female-centric and kind of cute and smart, with a really smart script. So I auditioned for it and got it, and I'm really glad I did, because the movie has a life of its own.
Obviously, the good thing about golf, it's difficult to really, really blow it after five holes unless it goes really, really, really... really, really, really wrong. But you still have 13 to go, and if you have a good run, where you make five or six birdies, you can get it back somehow.
I was just shitty, shitty, shitty with money and I finally, when I really started making money, I had to get somebody to sit down with me and learn how to manage my money.
There is a magic factor that is sometimes on a movie set, that is a really, really beautiful thing that cannot be compared to anything else, if you are somebody that is really passionate about acting or directing or the world of movies.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.
It was just really, really tough getting anything when you were a female. Basically, I just took advantage of everything I could. But when people are going to flat out tell you they're not going to hire anyone that's female, there's not much you can do about it.
I don't really like the way that journalism works in the UK anyway; it's all about getting the most shocking thing out of somebody and kind of twisting people's words, which isn't really journalism, as far as I'm concerned.
Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
You read about somebody, and it doesn't really matter whether or not they really exist - the point is that you get into them like real characters.
You read about somebody, and doesn't really matter whether or not they really exist - the point is that you get into them like real characters.
I think the hallmark of a really good entrepreneur is that you're not really going to build one specific company. The goal - at least the way I think about entrepreneurship - is you realize one day that you can't really work for anyone else. You have to start your own thing. It almost doesn't matter what that thing is.
When things go really really bad - life is going to have its way with you no matter who you are - and when things get really really bad, that's the time to stand up and keep going, and to push, not to fall down or run away.
It was difficult, and yet I was very eager to do it. It was a really odd thing. I really wanted to do that story. I really wanted to write the death of Captain Kirk. I really wanted to do it in the movie.
When men create movies about femme fatales, it really is always about how that female can destroy that male. It's not really about what's happening on the interior of that female.
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