A Quote by David Cross

I just did 101 shows in 86 different cities in America and Europe and Canada, and I'm not lying or exaggerating when I say, at the vast majority of shows, they loved it. There were encores, there were standing ovations.
When we first started playing shows, we were all 17. Everybody started somewhere. There were guys throwing shows in condemned houses and backyards just for the love of music and for the love of what bands were standing for.
I did six Broadway shows, and I noticed there weren't many female comedians. When I went to a dancing audition, there were 1,000 girls. And there were three jobs. So I said I'll just try comedy. And I loved it.
I've been to Canada, and they love - oh my God, they love their stand-up comedy in Canada. I've been overseas to do shows for the troops all over the Middle East, and I actually went to China recently and did shows, not for the troops, but just for local Chinese people, and Americans that have moved there, and things like that. It was fantastic. They got it. They're way smarter than we give them credit for.
To say that the whole of the industrial experience of Europe and America just shows the rewards of exploiting the Third World is a gross simplification.
I did game shows, I did interview shows, I did talk shows, I did commercials, I did acting. But all of that was a million years ago.
Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits.
I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.
When we were doing shows in the mid-'90s, the audiences were 95% black. What's happened now is the gentrification of hip-hop. A lot of cities passed ordinances that made it hard for black audiences to gather in large groups. Clubs are more open to hip-hop now 'cause it's the same crowd that goes to rock shows.
I did 15 shows a week when I lived in New York. I did five shows on a Friday and seven shows on a Saturday. It was everything I did and it was my sole source of income.
Our tax plan by the way shows the vast, vast majority of Americans, upwards of 96 percent can fill out their taxes on a postcard.
Cities are responsible for the vast majority of the creation of the economy. They're also places into which we pour the vast majority of resources, the vast majority of energy and the places where a huge percentage of the decisions about how systems are built and how products designed, etc., happen.
Shows were very different then - even as the headliner we did a very short set by today's standards and sound systems were really primitive. But the girls made it all worthwhile!
The 'Real World Challenges' were amazing. However, Hollywood, back when I was on reality shows, did not like reality shows.
I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.
I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
I always loved putting on shows - when you're the youngest of seven and five are older sisters, you've got to get noticed somehow! I did puppet shows and magic shows... even ventriloquism. My doll's name was 'Dan,' and I used to write these scripts, and my schoolmate hid under the table and supplied Dan's voice.
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