I still think that, hopefully, you're not ahead of the jokes, and I think that has value. There is a punchline and it's pointed - and, again, whether you think it's funny or not, that's subjective.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I want to be known as a funny comic not just a funny Latino comic. I want to be able to go everywhere and anywhere.
I think of myself as a theatre comic instead of club comic because I tend to talk for a bit before I start being funny. I don't really do the one-liners and five second bits or whatever. But it's good to work stuff out sometimes.
I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.
I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
I think I'm accidentally funny more so than thinking of it as a craft. I'm in awe of those comedians that know how to hit it again and again and again.
There's a difference between being a comic and a comedian. A comic is a guy who says funny things, and a comedian is a guy who says things funny, and he has a style and point of view that will last much longer.
I'm not a broad comic, but I think I can be funny and I think I make people laugh.
I think all art is subjective - that whoever's watching it or listening to it will decide whether it's good or bad.
My parents and my sister died... very close together, and after that, I lost quite a bit of my sense of humor. Most of it I think has kind of come back, but I know there was a time when I didn't think things were funny anymore. I kind of think they're funny again.
I think the problems with comedians that are political, and there are some brilliant ones, are the ones that offer no solutions. Not that there's a moral obligation for a comic to fix things, but I like to see a comic that's upset about something and offer a solution. It can be a funny solution. I like to see the thought process.
You can't teach someone to be funny, but you can teach comic timing. If you listen to a good comic, you can learn how to put it on a page.
When you start to talk about comic books, a lot of the time, people forget about the comic part of it. They need to be funny.
[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny.