A Quote by David Cross
I'd say 95 percent of my audience was white. They were mostly kind of older hipster folks like myself.
Related Quotes
During all the years I entertained at the Baby Grand night club in Harlem, 90 percent of the audience was white. But when I tried to break Into television, I was told that white folks wouldn't understand what I was talking about.
Whether it's viewers of the show or readers of my columns and books, I'm consistently impressed with their wit, humor and insight. That goes for about 95 percent of the audience. The other five percent are why the 'Delete' option and restraining orders were invented.
Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast - and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face.
Nobody has ever, ever, in the history of politics received the kind of negative advertising that I have. Record, record. By the way mostly false, I wouldn't say 100 percent but about 90 percent. Mostly false, vicious, horrible.
I remember I grew up in Pasadena in a very, kind of, homogeneous, kind of, suburban existence and then I went to college at Wesleyan University in Connecticut. And there were all these, kind of, hipster New York kids who were so-called 'cultured' and had so much, you know, like knew all the references and, like, already had their look down.
In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.
I do this acting thing mostly for myself. I like to make a connection and communicate with the audience to make myself feel less lonely. I also do it to develop my own character, so sometimes I do it to just be away in a certain area that I've never been to. But mostly, the story has to do something for me.
I had been hearing on-the-ground buzz that white folks were moving to places like Bend, Oregon, and Coeur d'Alene, Idaho, and St. George, Utah. That led me to discover through census data that these towns were already extremely white and they were becoming, in most cases, even whiter. Statistics could only tell me so much; in order to get to the spirit and essence of it, I had to immerse myself.
As long as the colored man look to white folks to put the crown on what he say . . . as long as he looks to white folks for approval . . . then he ain't never gonna find out who he is and what he's about.
The reason that we're seeing so many people flee the Left - I like to call them liberal refugees, like myself - is because they do not allow you to think freely. If you agree with them 95 percent and disagree on 5 percent, you are essentially excommunicated. You're not allowed to be a liberal anymore. You're not allowed to be a Democrat anymore.
In my book tours I get to meet an audience every night. And I see that there are mostly young people, and there are a lot of more men than before, but always young, I don't get older men. As I'm getting older, my audience gets younger!
Wow. Losing 95 percent of your audience in just five years. That basically makes Obama the NBC of presidents.
If your audience is young, it'd be youth culture, if your audience is older, it'd be older people, if it were senior citizens, it'd be senior citizen issues. So you try and hit the target audience.
If 90 percent or 95 percent of those - chemical stockpiles [in Syria] were eliminated, that's a lot of chemical weapons that are not right now in the hands of ISIL or Nusra or, for that matter, the regime.
My family is Chinese-Taiwanese. I'm from Richmond, Virginia. The community in which I grew up was pretty white. The storybooks you got at school featured white children and an animal, or animals, and as you got older, the novels you were assigned were about, like, the problems of white boys and their dogs.
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