A Quote by David Cross
We get to see it! January 1st, 2000! We get to see... all those fundamentalist preachers having to do their backpedaling when the Armageddon doesn't occur.
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You look at the inner cities and you see bad education, no jobs, no safety. You walk to the grocery store with your child and you get shot. You walk outside to look and see what's happening, and you get shot. In Chicago 3,000 people have been shot since January 1st. I am not going to let that happen.
I don't see here on this side; but I will see on the other side. I know I'll get to see. I know I'll get to walk those golden streets and I'll get to see Shadrach, Meshach and Abednego; and I'll get to see the Lord. Oh yes I will.
There is this expectation that as January 1st dawns, we're going to do it differently. Moreover, there's this kind of pressure, that even if I've been trying to be different for a while, January 1st, from here on in - I have to be different. There's a cultural expectation, there's a personal expectation. I think it's worth just taking pause for a minute and talking about that.
You see Tom Brady, you see Alex Smith, and you see all those guys in the pocket and how quick they are with their footwork and how they get the ball out fast. I have to get like that.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
If we don't have the actors, or you get the sense that some of the other people involved in making the movie don't necessarily see the movie the way you see it - all those elements, for us, we like having those things feel like they're moving in the same direction.
Elements of the Christian fundamentalist right are one of the strongest components of "support for Israel" - support in an odd sense, because they presumably want to see it destroyed in a cosmic battle at Armageddon, after which all the proper souls will ascend to heaven - or so I understand, again, not from close reading.
The letters, the food - I had no idea I wouldn't see a shrimp for three years. You don't look at those little things you take for granted so easy, until you get sat down, get locked up, or get into a position were you see other people who are less fortunate than you - that don't have anybody.
The fans want to see more. They're there to see fights, they want to see more, they want to see people get put unconscious, whatever. But you can't get put in those spots.
Last year was the fourth or fifth attempt to get fall launched till 'American Idol' comes in January. To be honest, the reality programming we had on last year was considered filler until we could get to the good stuff. It was meant to hopefully get us to January andor to November. To get past baseball. But (it) didn't work very well.
If your intentions are already bad, and then you still make giant mistakes, it seems like things just get worse. I get little joy seeing this, because what I don't see is the public saying, "Wow, those guys are really bad, maybe we should re-evaluate everything." I don't see that response with the scandals, I don't see it with the indictments, I don't see it after Katrina, I don't see the public going, "Wow, let's really re-examine the entire direction this country is going."
Now do you see why war irritates me? It's always the same. A lot of people get killed, but in the end, the whole thing is settled at the conference table. The notion of having the conference first doesn't seem to occur to people.
But every so often we'll get to this place where everyone in the room is fully focused on what's happening. You see it happens in sports sometimes, when there's a really important moment. It's a great thing when you can get to those places, when you look up you don't see a bunch of phones out.
I love doing a series because you get to see changes in a character and see her grow. It's a journey with change, and you don't get to see that long-term type of development with just a film.
I'd probably go to see Saturn first-thing and see as close to those rings as I can get and see if I can fly by one of them and try and put one of my hands through them.
I'm beginning to see that just knowing the piece is not enough. Having a clear technique is not enough. Having a broad repertory is not enough. I want desperately to get past all those things.
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