A Quote by David Cross

When we were on the bus doing the Mr. Show Hooray for America Tour there was a lot of laughter and a lot of pot smoking and a lot of speed metal listening and video game playing. Of course that was all Brian Posehn.
I have a feeling that the kids are slowly returning to the roots, with this new Metal trend. I can really feel there are a lot of exciting young bands doing kinds of underground Metal, which of course is a lot more dirty than the stuff that we do, but I like it all the same.
I've been around this game for a long time - a lot of plane rides, a lot of bus rides, a lot of pregame speeches, a lot of national anthems.
I don't really like living in a very small space, like a tour bus, even though I have an amazing tour bus, and I've had multiple tour buses. It's still not a lot of room.
Twitter is hard to evaluate. They have a lot of potential. It's a horribly mismanaged company — probably a lot of pot-smoking going on there. But it's such a solid franchise it may even work with all that.
In the 1970s, a lot of critics didn't understand video. I got a lot of bad reviews. But film-makers didn't understand what we were doing, either. There were actual fistfights between film-makers and video-makers. I was witness to one.
Dad was just an emotional wreck. He was drinking a lot of the time, he was smoking a lot of pot. And because he takes certain medications, the drinking was making him... you know, he wasn't even present, really.
Growing up in a house with six brothers and sisters is a lot like being on a tour bus. There's not a whole lot of private space, so you figure out how to make it work.
I do a lot of video games - I have a YouTube channel where I record me playing video games with my friends and post it. That's a hobby I have and a lot of what I do in my off time.
This band is metal in that we have a lot of metal in our instruments, and there's quite a lot of metal on my belt buckle as well.
'The Martin Show,' the 'Jamie Foxx show,' 'Living Single,' 'The Wayans Brothers,' 'Hanging with Mr. Cooper...' Some of these shows were good, some were typical television, but they facilitated a lot of work for blacks in front of as well as behind the camera. A lot of us in Hollywood thought it was the beginning of a real racial breakthrough.
A lot of power-pop comes out of LA, a lot of speed metal comes out of New York.
Most correspondents came from the former colonial powers - there were British, French, and a lot of Italians, because there were a lot of Italian communities there. And of course there were a lot of Russians.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies.
I grew up in a very music-loving home with a lot of records, a lot of TV, a lot of radio, a lot of video - VHS cinema, basically.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
This site uses cookies to ensure you get the best experience. More info...
Got it!