A Quote by David Cross

I don't think of my opponents in the sense that I don't think of them consciously, I don't steer it one way or the other. — © David Cross
I don't think of my opponents in the sense that I don't think of them consciously, I don't steer it one way or the other.
Unfortunately there are too many examples of members of Congress and other elected officials using language, referring to your opponents in ways that you would have never done before, ascribing the worst motives to your opponents, and assuming that other Americans are the enemies. And that's just not the way it used to be. And I don't think it can be that way in the future.
I think it's normal that, the first time you meet Federer or Murray or Djokovic, you're going to get nervous. But after a while, they become normal opponents, people you see every week. That's the way you have to think. You can't think of them as legends. When you see someone on court, you have to treat every opponent the same way.
I'm not trying to steer people in a direction. I'm just trying to move them. Wherever it takes them, it doesn't matter to me. I just want them to be moved in one way or another, and that's a hard thing to do, I think.
You make other team think you going one way and you got to sell the move going that way and you've got to really make them think that you're going that way and they're going the other way. When it ends up ultimately being a perfect crossover is when you shake them so bad that they can't even get back into the play to play defense. You're already gone. That's what I think the perfect one is to where a teammate of his has to stop you from scoring.
Nothing drives your opponents more crazy than being utterly reasonable. And nothing makes demonizing or delegitimizing your opponents easier than letting them shriek unreasonable things for you. The Republicans need to get back to being the party that elicits unreasonable shrieking from their opponents. Not the other way around.
A lot of writers do think of their characters as living beings. I know that's the way people think. That's why I try to make them real in a certain way, because otherwise people won't read them. It's fine if some readers think of them as real. It's just not the way that I think of them.
You need response from the fan to fuel your sense of musical rebellion. It's very symbiotic, it's very cyclic in a way. You can't have one without the other. So I think the rebellion is reflected in the audience, but at the same time, the artist has to have that passion too. And I think once you're a fan for life, you feed each other's sense of passion and rage and whatnot. You really can't have one without the other.
Secrets affect you more than you’d think. You lie to keep them hidden. You steer talk away from them. You worry someone’ll discover yours and tell the world. You think you are in charge of the secret, but isn’t it the secret who’s actually using you?
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
The top teams in particular always have opponents who are highly motivated. If they drop a couple of percentage points, perhaps sub-consciously, then it's enough for the other team to capitalize.
When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people.
I am crazy but I found a way to steer it into ways I think are very productive.
Other teams and other opponents, they look and see I'm 6-foot-10 and think I'm a 5 man or whatever, so they try to take advantage of it.
If candidates spend money on ads and other political speech and their opponents are rewarded with government handouts to attack them, that chills speech and is unconstitutional. Non-participating candidates certainly don't volunteer to allow their opponents to receive taxpayer subsidies to bash them.
One odd thing about the current debate between religious people and atheists is that the participants don't seem to care that they entirely fail to communicate with the other side. They therefore have no account of why the religious or the atheists believe what they do, except that they are stupid or deluded. I think philosophers should try and make sense of their disputes with their opponents as far as possible without treating them as idiots. This applies to the religious participants in the debate as much as to the atheists.
I think people relate to the music because I have a sense of empathy, and I think I have a good understanding about relationships, and I talk about them in a real, honest way
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