A Quote by David Cross

Sketches have characters, exits, entrances and are vastly different. — © David Cross
Sketches have characters, exits, entrances and are vastly different.
But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exits and their entrances as they please, and laugh at locksmiths.
All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.
So we do have our exits and our entrances and we are perhaps mere, but I think if one keep a certain joyousness in life which should be in playing, then good for one, but it's slightly more serious than that.
When I started producing, it was George Abbott directing and he would let me do the scenery. He just wanted to know where the doors were - the entrances, the exits; the tables, the props - and then I would hire the designer. I took charge of the visuals - scenery and costumes and so on. And, the shows looked wonderful.
Just as the cultures, lifestyle and food differ vastly from our own, music for the Tamil/Telugu audience is vastly different from that of Mollywood.
Going back is a nice way to give definition to each of the characters because they are so vastly different. I would never want them to get blended together.
Cars are good for entrances and exits. And there is something about driving that is quite cliched in a funny way. I like Roy Orbison's video for I Drove All Night because it's so literal. It is just a man driving throughout the night. I like that silliness. To be in a video is a ridiculous thing. It's almost impossible to do it without any humour.
Most women have learned a great deal about how to set goals for our First Adulthood and how to roll with the punches when we hit a rough passage. But we're less prepared for our Second Adulthood as we approach life after retirement, where there are no fixed entrances or exits, and lots of sand into which it is easy to bury our heads.
The Federal Building's large Ceremonial Courtroom, reserved for show trials, is veneered in executive teak. Bench, counsel tables, jury boxes, entrances, and exits -- all are as formally arranged as an Elizabethan stage. Only the drama is shapeless, at least to those of us who have never seen a trial before. We see only random movements, sequences, comings and goings, no form or agenda apparent. To us the action is less like watching a play than watching an aquarium.
I don't think women are that vastly different from men. I'm a bit of a woman myself. But I'm not a feminist filmmaker. I'm not making a feminist thesis to prove that women are important. I just happen to make films with strong characters that are women.
Writing sketches, you're also learning about a journey and characters, and you translate that to bigger things.
Writing sketches, youre also learning about a journey and characters, and you translate that to bigger things.
The idea that we should write towards the unknown aspects of our experience was totally groundbreaking for me. It gave me the license I needed to try to write outside myself. This attitude has deeply informed my approach to fiction, emboldening me to write characters with voices or situations that are vastly different from my own.
Choosing an acoustic guitar for a live setting can be different from picking out one for recording. One doesn't always work for the other. The sonic properties can be vastly different.
I carry a notebook full of sketches of pictures I want to take - they are really scruffy sketches, but at least I am going out there with a clear objective.
As with most of my work, I started from the abstract, from research, building an intellectual model that slowly became internalized when the characters came alive. It's fascinating what happens to the model you've so assiduously assembled when characters are allowed to run rampant: things you thought essential are broken and other things are vastly improved.
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