A Quote by David Crystal
You don't usually get a compound word where the first part is a slang thing and the second part is a rather ordinary or formal thing - they don't usually mix - but 'gobsmacked' is a perfect exception to that rule.
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The first part of the party of the first part shall be known in this contract as the first part of the party of the first part shall be known in this contract-- Look, why should we quarrel about a thing like this? We'll take it right out, eh?
There was recently a story out that I turned down a role in a major franchise. That's not true. I refused to audition for it. I didn't get the part. I didn't even go in because I thought that the part was just a repackaged version of the parts I played before in these young adult films - sort of moody, masculine, but sensitive and all this kind of thing. It was just a repackaged, rather dull thing.
There is no exception to this rule: "All the paths of the LORD are mercy and truth unto such as keep his covenant." They say there is no rule without an exception, but there is an exception to that rule.
...And so we go and I meet his parents. And it's a very strange thing meeting your girlfriend's boyfriend's parents for the first time. Part of you is angry for obvious reasons and part of you still wants to make a good impression. On a side note, they seemed in perfect health.
The first thing I would say to young writers is, "Don't do it, unless you can't stand not to do it." And the second thing I would say is, "If you do do it, and get into it, the constant rule you should have in mind is to explore your material." It sounds simple, but it isn't, because people often want to get from A to B, and they don't stop to look at what is in the material.
Songs start with my bringing in the basic riffs for what you might call a verse and a chorus, an A and a B part...whatever. And sometimes a C and even a D. That's kind of the easy, or at least easier part. The hard part is finding that special, perfect way to order things - how many times to do A before B and back and how the second verse differs from the first. That's all we got.
I think the first thing I consider is whether I like the script. Once that is done, the next thing I look for is my part in the movie. Many a times you come across good offers, but the part they are offering might not be challenging. So, I don't take up that film.
Here's what I advise any young struggling actress today: The important thing is to develop as a woman first, and a performer second. You wouldn't prostitute yourself to get a part, not if
you're in the right mind. You won't be happy, whatever you do, unless you're comfortable with your own conscience.
The big thing on the horizon for me is video. I feel like it's the closest thing to a perfect mix between music and design, because it has the motion and it has the dynamics of music, while at the same time having the aesthetic components of design. It's a nice mix.
I think you have lots of actors who would much rather do a wonderful part at the Royal Shakespeare Company, but then you have to take a two-line part in a TV thing to pay the bills.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out. But I've also always loved the technology part of it. I've always loved the studio part. Making albums. Besides writing songs, which has been my primary thing, making records would be second. Obviously, touring would be third. Touring wasn't my favorite thing to do, but the first few tours were pretty fun. Seeing the world and everything.
By seeing the otherness in that which is most unfamiliar, we can learn to see it too in that which at first seemed merely ordinary. If wilderness can do this - if it can help us perceive and respect a nature we had forgotten to recognize as natural - then it will become part of the solution to our environmental dilemmas rather than part of the problem.
What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)
Most of us live in a condition of secrecy: secret desires, secret appetites, secret hatreds and relationship with the institutions which is extremely intense and uncomfortable. These are, to me, a part of the ordinary human condition. So I don't think I'm writing about abnormal things. ... Artists, in my experience, have very little center. They fake. They are not the real thing. They are spies. I am no exception.
I think the work in front of us is the first work task given our forbearers, which is to care for the garden. Now because it's the first thing commanded, maybe it's the first thing forgotten. But it is the first admonition and it is absolutely unequivocal. It is part of right livelihood.
There are two great rules of life; the one general and the other particular. The first is that everyone can, in the end, get what he wants, if he only tries. That is the general rule. The particular rule is that every individual is, more or less, an exception to the rule.
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