A Quote by David Dastmalchian

If you look at Stan Lee and the Marvel comics, yes, there's a lot of awesome, serious and dramatic action that takes place. — © David Dastmalchian
If you look at Stan Lee and the Marvel comics, yes, there's a lot of awesome, serious and dramatic action that takes place.
When I went to Stan Lee - every time I was with Stan, I learned something every day. When I would do a pencil job, if I didn't have much faith in it I would hand it in and invariably Stan would make it look like it was a well-written and well-planned-out story. It made me tell people, 'If you want to become an artist, go to work at Marvel. Stan will turn you into a storyteller.'
When you're a kid that's spent all your pocket money buying Spider-Man comics, and then as an adult, you're in the Marvel Universe, and you get to meet Stan Lee - it's wonderful.
Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.
What's true of the Marvel brand is that we're not as invested in the cape and the cowl as we are in the individuals. That goes all the way back to Stan Lee, from the very beginning.
If you look at Marvel Comics, there are very few Marvel characters I would like to write.
My hero in comic books is Jack Kirby: 'Spider-Man,' 'Fantastic Four,' 'Captain America,' Marvel Comics. He was really the basis for Marvel Comics.
People look at Marvel movies as epic in scope, but if you look back at the comics, you realise that Marvel heroes were often a reaction to the square-jawed DC characters like Superman, who were flawless and beyond reproach.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
I started on the original comics from Stan Lee and all the artists and storytellers did from there, and I got to the graphic novel that Chris Clairmont did, which is the one Stryker comes from - God Loves, Man Kills, which is a brilliant story.
Focus on action! Go on! Do it! Call them! Write it! Say it! Grab it! Who knows what 'awesome stuff' might happen? Yes - Action is the key!
I didn't know why I was coming to this room. Someone just told me to go to Sam Raimi's office. I knew that I uniquely had the comics version of his job, which was to take Spider-Man and put him into the modern day. But I thought, "Maybe he wants to tell me to cut it out." So I come in, it's in his office, and then Stan Lee comes in, and I'd only ever met Stan as a fan, not as a professional. And then they sit us down on a couch, and roll in an AV cart with a TV on it and go, "We're going to show you the first cut of Spider-Man."
I am pretty sure when Kenneth Branagh came up for 'Thor,' nobody at Marvel thought, 'Yes, that Kenneth Branagh is masculine enough to do action: just look at 'Henry V' and 'The Magic Flute.''
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
I have grown up reading Marvel Comics and Marvel movies with their intricately woven storylines. It is fascinating to see how Marvel has created characters and stories that resonate so well with audiences across the globe, making movies at a scale that one had never before imagined.
In the past, in the '60s and '70s, genres were much more segmented. You had action guys who were deadly serious about it, and I think you had comics that were comics.
It was cool to meet Stan Lee.
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