A Quote by David Denman
There's a lot of people in the community who are seeing a play for a first time, and that, to me, is really exciting.
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I'm definitely seeing more and more new people at shows, which is exciting. It's nice for me, because it's a fresh start. I don't feel as obligated to play old favorite songs - it feels like I'm free to try new things because I'm meeting people for the first time. But there's a lot of people who are showing up and they know all the words to the first album and they're requesting songs from the second album.
Seeing a new play in a first-time production is so exciting - when it's good, you want to shout from the rooftops.
The really cool thing about festivals is that you're getting to play in front of a whole lot of people who have never heard of us before. That's exciting. At the same time, it's a little bit of a challenge to capture the attention of people who have already seen a lot of bands.
I'm no longer the young woman I was playing before, and I'm in a profession where that continuum that is me is irrelevant to most people - they're meeting me for the first time, seeing me for the first time, and they're seeing an old woman, so that's what I've got to start being.
Just knowing that people are going to the game or something with your jersey on and supporting you is really exciting and was a dream of mine. Every time I see it at Dortmund, at games, it's still exciting and gets you really excited to play.
To come out in the music business, you only really get one shot. A lot of people get to play small gigs first, and build up that way, without anyone really seeing them.
When I first came up, the whole AIDS epidemic was starting, and the gay community that I experienced from the beginning of my career was mostly - and overwhelmingly - concerned with staying alive. And, also, I felt really aware of the preciousness of life and time. The gay community and people who were HIV-positive were treated so badly, and I was very disturbed by things. But I also saw a lot of love and connection in the gay community at that time.
Seeing someone you know be good at something is really appealing. Seeing how Darren Aronofsky behaved on set, it was another aspect of him, the director. He'd never directed me at home in the kitchen before. It was just seeing a whole other aspect of someone. It was really, really exciting. I loved it.
To me, being in the big time is not that big of a deal. I've been there; I know what it is. It's exciting, but it's also a lot of work and pressure. I love sort of flying under the radar where we can play theaters and sell CD's on the Internet, and it's really kind of a cool time.
I really do prioritise humour in people. It's a sign of intelligence. One of the most important things I heard that moulded me was Derek and Clive. That sense of release when I heard them for the first time, crying and laughing, was akin to seeing Sonic Youth for the first time.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
I don't really have a bad premiere experience. They're exciting at first. I think, when you first get into the business, you're excited about going down the line and seeing what that's like.
When you are a rookie you are going through everything for the first time, your first DNP, your first not seeing eye to eye with a coach, first understanding trades happen, guys making more money play more. I was overwhelmed. I had a lot of maturing to do.
One of the big things for me that's been exciting is seeing the Asian-American community coming out, because I'm Filipino and Swedish and Irish.
I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.
For anyone who says 'Who cares if you're gay? It's 2018,' well, a lot of people care because a lot of people had the opportunity to be out, and there's been a lot of fear surrounding it. This is the first time we're seeing representation, and because of that, it is a big deal.
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