A Quote by David Doubilet
My passion is to open people's eyes to the sea using the power of photography as a universal language to convince the unconvinced among us that the oceans are fragile and finite.
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Syntax and vocabulary are overwhelming constraints --the rules that run us. Language is using us to talk --we think we're using the language, but language is doing the thinking, we're its slavish agents.
What I've been thinking about recently is the idea of finite and fragility. Either we're acknowledging that our lives here are finite, this moment is finite, and that this whole world is fragile, or we're not, but it is really happening and that is really true.
Language is power, in ways more literal than most people think. When we speak, we exercise the power of language to transform reality. Why don't more of us realize the connection between language and power?
Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one's cone of vision, while standing in the right place at the right time. Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.
Passion acts like a magnet that attracts us to its source. We are drawn to people who radiate with passion, who live with passion, who breathe with passion. Your passion is your true power. The more you discover and express your passion for life, the more irresistible you will become to others.
Photography is a language more universal than words.
The oceans are in trouble. There are some serious problems out there that I believe are not clear to many people. My hope is to continually find new ways of creating images and stories that both celebrate the sea yet also highlight environmental problems. Photography can be a powerful instrument for change.
I am very interested in writers from the Francophone world. I like Kamel Daoud a lot, for example. In "The Meursault Investigation" and "Zabor," he shows a passion for the French language, a very special way of writing that belongs to those who live on the other side of the Mediterranean Sea. It is language that connects us. It allows people there to cling to our history, our culture and sometimes also our values.
Slogans rarely convince the unconvinced. However, they do rally the troops already on your side.
Photography is a universal language, transcending the boundaries of race, politics, and nationality.
We live in a world filled with language. Language imparts identity, meaning, and perspective to our human community. Writers are either polluters or part of the clean-up team. Just as the language of power and greed has the potential to destroy us, the language of reason and empathy has the power to save us. Writers can inspire a kinder, fairer, more beautiful world, or invite selfishness, stereotyping, and violence. Writers can unite people or divide them.
Liberals roll their eyes about going on "Oprah" to reach a mass audience by using language that anyone can understand even if you majored in semiotics at Yale. We look down on people we don't agree with. It doesn't serve us well.
Every time I look at it, It looks back at me I love the sea, its waters are blue And the sky is too And the sea is very dear to me If when I grow up and the sea is still there Then I’ll open my eyes and smell the fresh air Because the sea is very dear to me The sea is very calm and that’s why I like it there The sand is brand new and the wind blows in my hair And the sea is very dear to me.
It was both necessary and desirable for us to be so strong at sea that no Sea Power could attack us without risk, so that we might be free to protect our oversea interests, independently of the influence and the choice of other Sea Powers.
Passion, and passion in its profoundest, is not a thing demanding a palatial stage whereon to play its part. Down among the groundlings, among the beggars and rakers of the garbage, profound passion is enacted. And the circumstances that provoke it, however trivial or mean, are no measure of its power. In the present instance the stage is a scrubbed gun deck, and one of the external provocations a man-of-war's-man's spilled soup.
But in a way you can say that after leaving the sea, after all those millions of years of living inside of the sea, we took the ocean with us. When a woman makes a baby, she gives it water, inside her body, to grow in. That water inside her body is almost exactly the same as the water of the sea. It is salty, by just the same amount. She makes a little ocean, in her body. And not only this. Our blood and our sweating, they are both salty, almost exactly like the water from the sea is salty. We carry oceans inside of us, in our blood and our sweat. And we are crying the oceans, in our tears.
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