A Quote by David Draiman

There are definitely confines within the style of Disturbed that we needed to stay true to, but we've always pushed that envelope. We always continued to develop with each successive record.
I pushed the envelope as far as it needed to be pushed, and now it's on the floor, and people seem to want it to stay there.
I've always pushed the envelope when it comes to action.
Edie Sedgwick had a cool style; she pushed the envelope for the time.
You should definitely stay true to your own style.
I always wanted to be that guy who pushed the envelope in all kind of ways and tried something new. When I keep that rule going, it always takes me to a new place. There are times when I fail miserably, but I always find myself knowing one more thing better, doing one more thing that I never did before.
Looking feminine is important to me. My personal style is fairly traditional. I was definitely influenced by my mother, who always looks elegant, and by Estee's classic style; she was always in Givenchy or Ungaro.
While green-screen work, find a way to stay true to whatever it is that it takes to act a scene out, and make sure that you use your imagination as best as you possibly can, still stay loose, and still allow yourself the liberty of doing what you need to do as an actor, and then work within the confines of what is actually possible.
It's a fine balance between design and the thing making itself happen. The stroke has to have complete precision to work. Sometimes I lose it on the exit. You can't fudge it. It ruins the whole thing.” The resulting figures are almost always contained within the rectangle. “It's less of a window if I keep it within the confines of the canvas, but there's almost always a drip that's an umbilical cord.
wanted to highlight that to a certain extent and go deeper into that direction. I also try to write each song in a different key, so I can be as diverse as I can. I'm always trying to push the envelope and not be complacent or happy in one spot. As far as the grooves on this record are concerned, I think we just tried to experiment in that realm.
I've always kind of pushed the envelope in terms of trying to get away with things no one else was going near. I always thought of myself like a mouse trying to get cheese that no one else could get without getting their tail snipped off.
I kind of, I have quite a clear idea of what I'm trying to do with a record. A Super Furry Animals record is always an adventure, because there's five members of the group and everyone is a producer, we all throw in ideas, and regardless of who writes the song, the songs always get pushed around and shape-shifted to fit everyone in the band. So when I start a record with Super Furry Animals I can never predict how it'll turn out.
You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.
I've always been skeptical of people who say they lose themselves in a part. Someone once came up to Spencer Tracy and asked, "Aren't you tired of always playing Tracy?" Tracy replied, "What am I supposed to do, play Bogart?" You have to develop a style that suits you and pursue it, not just develop a bag of tricks.
It was always important to me that I made a record where I really sang well, and I don't think it's happened yet. There's always a possibility with each album that I might not record again, and I wanted to produce one that I could feel was mine.
My style of play has always been the same. I never tried to develop a specific style. From very young I just played this way.
I stay true to myself and my style, and I am always pushing myself to be aware of that and be original.
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