A Quote by David Draiman

I think that people are too... They've become genre snobs. — © David Draiman
I think that people are too... They've become genre snobs.
What happens to us all, I think, when we pick up a pen, is that we just become snobs.
Coming out of school, sometimes people can be theater snobs. I only wanted to do theater, highbrow stuff. But what I learned very quickly is there can be good material in every genre.
They yell at me to be dignified. But what are the dignified people like? The people who are held up as examples of me? They are snobs. Frightful snobs I'm a curiosity in Hollywood. I'm a big freak, because I'm myself!
[democrats] have become the party of snobs. You have become the party of Americans who think they're better than other Americans.
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.
When you're a young writer and you look at people praising a big hefty anthology that has uncovered a long lost genre, it can be disorienting to look inside it and think, "But what it's uncovered still isn't me. What does this mean? Do I not belong in this genre, or is there more of the genre yet to find?"
I love the horror genre for how cinematic it is. I gravitated, I think, initially, toward the horror genre because, of all the genres, I think it is the genre that is most friendly to the subject matter of faith and belief in religion.
Sure, it can happen that the director sees you in a particular genre, and they like your work in that genre; they tend to think that you can only do well in that genre.
Any genre as it's called, I think can be quite reductive in terms of what a film is, because I think there is an eagerness to put in any film, in anybody's work, to give it a genre title and I think as a consequence of that, the film starts to obey the rules of the genre.
I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.
My theory on genre is that while there are people out there who believe that genre tells people what to read, actually I believe that genre exists as a marketing tool to tell you what to avoid.
When people think girl adventurers, they tend to think of a spunky, plucky tom-boy with a chip on her shoulder. I'm not saying that this makes for a dull character, but I think other types of adventurous girls exist. It's easy to fall into well-established tropes, believing that the tropes of a genre define the genre itself.
I'm not ashamed of any of my papers at all and I'm rather sick of snobs that tell us that they're bad papers, snobs who only read papers that no one else wants. I doubt if they read many papers at all.
I love Virginians because Virginians are all snobs and I like snobs. A snob has to spend so much time being a snob that he has little time left to meddle with you.
In my opinion, the horror genre is a perfect genre for Christians to be involved with. I think the more compelling question is, Why do so many Christians find it odd that a Christian would be working in this genre?
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