A Quote by David Draiman
I can't deny the impact of, obviously, becoming a father and having my son come into this world, and even becoming a husband. The irony is that, when people think that in certain ways it softens you, in many ways, I'm more defensive and more on guard and more frightened and more angry at everything in this world now that I have them to worry about.
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Fashion went from being much more rarefied to being more accessible. Now everything is changing in the art world, too: even the highest level of institutions are becoming more aware of the general public, like the McQueen exhibit at the Metropolitan or the Tim Burton at the MoMA or how the Gagosian does historic Picasso shows, bringing museum quality into a gallery. Galleries are becoming more like museums, and museums are becoming more accessible. In the next decade, I think it'll be blown open: there will be a lot of shifting around in terms of how artists approach their work.
I like the iPhone, the iPad, all the various members of that family. But I like all the various technologies that are becoming available to make the world more accessible to people who are blind and with low vision. I also like that more and more people are committing themselves to close captioning so the deaf can really know what's going on. I like the position of making buildings more accessible by having ramps and various ways people who are paraplegic to be able to get around.
Now I've come to such a mixed culture: America, Europe, South America, Africa. And the politics are changing everywhere all the time and becoming even more unpredictable. There's no such thing as "fixed" culture. China is also becoming more global. Its problems are becoming international problems, becoming German problems, becoming American problems. Nothing is clear-cut. Perhaps I'll find my way - or get totally lost.
I'm becoming more and more confident and am falling more and more in love with the whole world of comedy, and I think that's something that I really want to explore a lot more.
When you see what is happening with the social network, with Facebook, Twitter and co it is becoming obvious that the reputation of ourselves is becoming more and more important everyday. Image is becoming too much for me, and we are living in a virtual world and sometimes it is very easy to make mistakes. It is more difficult to take responsibility for our mistakes.
In many ways the film business is behind what's going on culturally. We are a world that is becoming more diverse and there's no going back.
In getting older, I find myself becoming progressively more ineffectual in a lot of different ways, and part of that is down to no longer having the youthful feeling that what you're doing has any true impact.
My worry is that the world is becoming more chaotic every day. My excitement is that more people paying attention to 'Less but better' could help solve our growing problems.
I am becoming more recognisable in some ways, and some aspects of my privacy are going. But there's an upside: I have more opportunity to tell bigger stories and connect with more people. And I really relish that responsibility.
I am not a historian, but I find myself being more and more fascinated by history and now I find myself reading more and more about history. I am very interested in Napoleon, at the present: I'm very interested in battles, in wars, in Gallipoli, the First World War and so on, and I think that as I age I am becoming more and more historical. I certainly wasn't at all in my early twenties.
If you look at our world, we're becoming so much more diverse in every sense of the word. It's not just about culture or identity. It's also about the different ways we communicate.
In today's world of blogging and tweeting, conversation has become a bit more staccato. In many ways we're more efficient, but I think the amount of longer conversations that radiated more warmth may have gone down.
What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.
The fear of failure never goes away. In many ways, you could argue that success multiplies the opportunities for failure. It's just more of an argument for becoming more comfortable with it.
Obviously, teams are passing a lot more, and there are rules that... allow the offense to be more explosive, so you want to have as many defensive players and defensive playmakers and defensive backs that you can.
Before the first xx record, I pretty much exclusively listened to electronica. Now, I listen to anything. I think the most inspiring thing is just learning more about more and more different kinds of music and becoming a fan of so many different types and so many different genres.
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