A Quote by David Duchovny

It's almost obscene when you see people who haven't matured, who haven't changed, who don't have the weight of years on them. So that's interesting to me - to think about playing him into the future, anew.
The interesting thing to me is that somehow the future of movies will become a more social thing... I think that people will see them communally and will be talking about them as they're watching them, in a way, and immediately after watching them, and they'll all become the conversation. I think that's pretty interesting.
I've always made a point of playing parts where weight has nothing to do with it, and not just weight but looks. It's about being funny and being interesting, and I think there are a lot more interesting things to play than being overweight.
My grandson Sam Saunders has been playing golf since he could hold a club and I spent a lot of time with him over the years. Like my father taught me, I showed him the fundamentals of the game and helped him make adjustments as he and his game matured over the years.
It's like first grade where you make all your mistakes and people see it and yet some people see that there's something there that's really valuable. That's the way it went for more than 2 years almost 3 years of playing.
What's interesting about books that take place in the future, even twenty years in the future, is that many of them are black or white: It's either a utopia or it's misery. The real truth is that there's going to be both things in any future, just like there is now.
It takes about a year to write an opera for me, but not a really a year of writing. I'm touring at the same time, and I'm playing, sometimes doing smaller projects.[The opera] Akhnaten fits in with Gandhi and Einstein, so that forms a trilogy in a way.I picked people who were these kind of larger than life characters, who kind of changed the world they lived in by almost the force of their personality and their inventiveness. People that I think not only do I admire but I think they're admirable people.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
I'm pretty caring, loyal and loving to those who are close to me. Two of my friends are from school, so I've known them for more than 30 years. My best friend, Paul Fisher, sat next to me in English when I was ten or 11. If you asked him, he'd say I was loyal. I don't think I've changed over the years.
I don't need to speak about N'Golo; everyone knows about him. He's everywhere. I think, sometimes when I'm on the pitch, I see him twice. One on the left, one on the right. I think I'm playing with twins!
I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.
There are two kinds of people: one who goes on thinking about the future, not bothering about the present at all. That future is not going to come, that future is just a fool's imagination. I don't think about the future. I am a totally different kind of person. I don't think about the future at all, it is irrelevant.
I am stealing the golden vessels of the Egyptians to build a tabernacle to my God from them, far far away from the boundaries of Egypt. If you forgive me, I shall rejoice; if you are enraged with me, I shall bear it. See, I cast the die, and I write the book. Whether it is to be read by the people of the present or of the future makes no difference: let it await its reader for a hundred years, if God himself has stood ready for six thousand years for one to study him.
Most of the people you see me working for me are actually with me. And I'm proud to say that I've known them for 20 years almost. I've written songs with, produced songs with them a lot of times. I don't deviate form my comfort zone. I feel like when God brings people to you, it's good to keep 'em around.
Actually, I think it's interesting that when I put the weight on, I was already with him. I don't know, maybe I felt safe. And he likes me like this. He likes me whatever size I am.
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