A Quote by David Duchovny
Those characters are forever searchingeven if we're not watching them, they're out there, in some dimension. Mulder and Scully are still doing their thing, because that's their nature.
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Every now and then we'd meet up and reminisce about the characters. At the beginning, shortly after we started shooting, someone sent me some clips put together on youtube. It was the first time I'd seen something like that. "The intimate moments of Mulder and Scully."
They'll have to bring in Mulder an' Scully, because there ain't no CSI on the planet that'll ever be able to explain this.
People thought the storyline and characters for 'X-Files' made it a 'dark' show, but I never saw it that way. I always thought Mulder and Scully were the light in dark places.
I do not think that Mulder trusts any one other than Scully. He s very solitary. She is the only one who takes him seriously. I don t know if they re in love. In a way, their relationship is deeper than that, because they cannot live without each other.
Every time Mulder smiles, people say, 'God, it was great to see you smile. Mulder never smiles.' I say, 'Mulder smiles a whole lot. He smiles at least once a show.' People get these ideas in their heads and they're impossible to shake. But, to be honest with you, Mulder is every bit as vulnerable and quirky as Ally McBeal. I think Mulder has pretty good legs, too.
The first time, where Fox Mulder and Scully met, she stands up for herself. She stands right there and gives it to him and that was extremely attractive.
Watching something like 'Orange is the New Black' - the development of the characters is amazing. Or 'Breaking Bad' or 'Mad Men' - those shows went on for so long. You become so invested in those characters, and I think that's a pretty magic thing.
So maybe it was just as well that my companion was more like Mulder. A coked-out Mulder with a lot of weapons, who knew that the monsters under the bed were real and would gut you.
This is what meditation is all about, just becoming a watcher. Failure comes, success comes, you are praised, you are condemned, you are respected, you are insulted - all kinds of things come, they are all dualities. And you go on watching. Watching the duality, a third force arises in you; a third dimension arises in you. The duality means two dimensions: one dimension is happiness; another is unhappiness. Watching both, a depth arises in you: the third dimension, witnessing, sakshin.
We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.
It's not enough to be diverse in your casting. You have to service those characters; you have to make them fully well rounded because people are watching.
You have to add some sort of dimension to each of your characters because everyone has their own layers.
I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.
You definitely do not do films for that particular reason. You do them for yourself, for your satisfaction of creating this thing with characters and watching these characters take on real life - that's all you care about.
Every time the ATP or WTA speak about changing something, you see the reaction. So I think they're doing a good job because those people are still watching tennis 40 years later and they are still fans so I'm not sure they should change because I don't know how the fans would feel.
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
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