A Quote by David Duchovny
We like to keep the sexual tension underplayed, especially between the Smoking Man and me. Once we thought he was my father . . . it got more interesting.
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The most interesting character to me is someone who is stuck in the no man's land between Belief and Unbelief, Faith and Faithlessness. I'm capitalizing like a German, but it doesn't matter whether it's faith in a person or in God, or belief in science or whatever, it's the desperate in-between state that makes for interesting dramatic tension.
The emphasis is on community, on participating in more and more programs and events, on meeting more and more people. It’s a constant tension for many introverts that they’re not living that out. And in a religious world, there’s more at stake when you feel that tension. It doesn’t feel like ‘I’m not doing as well as I’d like.’ It feels like ‘God isn’t pleased with me.’
Prostitution means sexual intercourse between a man and a woman aimed at satisfying the man's sexual and the woman's economic needs. It is obvious that sexual needs, even in a male dominated system, are not as urgent and important as economic needs which, if not satisfied, lead to disease and death. Yet society considers the woman's economic need as less vital than the man's sexual one.
What I hate is the thought of being under a man's thumb," I had told Doctor Nolan. "A man doesn't have a worry in the world, while I've got a baby hanging over my head like a big stick, to keep me in line.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
As I like to say to the people in Montgomery: "The tension in this city is not between white people and Negro people. The tension is, at bottom, between justice and injustice, between the forces of light and the forces of darkness.
This is what I know. I look like my father. My father disappeared when he was seventeen years old. Hannah once told me that there is something unnatural about being older than your father ever got to be. When you can say that at the age of seventeen, it's a different kind of devastating.
Before I began The Cider House Rules, I thought I wanted to write about a father-son relationship that was closer, more conflicted, and ultimately more loving, than most. Then I began to think of a relationship between an old orphanage director and an unadoptable orphan - a kid who goes out into the world and fails and keeps coming back, so that the old guy ends up with someone he's got to keep.
I needed to create some dramatic tension to sustain the interest of the audience. For instance, the boy in the film is not in the play, so this relationship that he had with the former teacher, and his guilt, this is not at all in the play. I thought it would be interesting to look at in the film, and I added stuff like that around the main character. For me, it was not more difficult or less difficult.
I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.
I told my father to stop smoking around the age of two or three years old and he stopped smoking. So the relationship between the kid and the parent is very powerful, and if you give the kid the right information, it can be very useful to the family.
The Puritans thought they could simply repress man's sexual nature, and they reaped a whirlwind as a result. Their code of sexual morality - which became America's - was nothing more than a set of rules laid down by people who believed that all pleasure was suspect.
The pleasure that I take in writing gets me interested in writing a poem. It's not a statement about what I think anybody else should be doing. For me, it's an interesting tension between interior and exterior.
I feel like we've kind of gone through a transformation in the past year. I don't know what happened but we've somehow gelled in a way that we never have before. The live show has become much more powerful and interesting to me. I really feel like we're learning to negotiate the dynamics of it and keep it interesting. It feels like we're becoming much more comfortable and in tune with one another.
Although wrongs have been done to me, I live in hopes. I have not got two hearts....Now we are together again to make peace. My shame is as big as the earth, although I will do what my friends have advised me to do. I once thought that I was the only man that persevered to be the friend of the white man, but since they have come and cleaned out our lodges, horses and everything else, it is hard for me to believe the white men any more.
I never met a person as determined as my mother. From working hard for six kids to just trying to keep the household down or maintain my father's discipline, my dad, I'm so much like my father too. My father was so introverted, quiet, shy, nice. I got attributes from my father and mother.
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