A Quote by David Duchovny

Privacy is something I have come to respect. I think when I was younger I wanted to tell everybody everything, because I thought I was so damn interesting. Then I heard the snoring.
if I could tell my very-younger self something, I would tell him to let loose more often. I think it all roots in sexuality, but because of that, I became so worried about everything — worried about what people thought. I was afraid to be creative and charismatic and eccentric. Just to do things to do things, like dancing. I was afraid of looking too flamboyant or something. I would tell myself to stop being so stressed about what other people are thinking. Stop being so afraid that something may not come off the right way.
There is a kind of desperate need for somebody to tell everyone what to do, which I find really peculiar in America. And then when you tell them, they're not interested, because it's also a country where everybody's opinion is their opinion, and they really don't give a damn what you think. So it's a very odd experience.
I respect my competitors, you know, I get respect back from them. I respect people out there who pay for their tickets to come watch us compete. And I respect the reporters because they've got to come out here and tell a good story. That's what it is. It's just a cycle of respect.
I thought everything was interesting. I wanted to go scuba diving and I wanted to learn how to surf. Because I grew up in the 60s girls were not allowed to do anything. As I've gotten older and realized that women can do things like that I thought, 'Why not? Now's the time.'
I never wanted to play guitar when I was younger. I wanted to be a drummer because everybody plays guitar, and I didn't want to do what everybody else wanted to do.
I always think, what I would have thought of something like Gurls Talk would have come into my school? Or how would I have felt if I'd heard there was this one-day festival happening in London? I think I'd have definitely gone, I started Gurls Talk because it was everything that I needed at school.
What I do think is important is this idea of a 'privacy native' where you grow up in a world where the values of privacy are very different. So it's not that I'm against privacy but that the values around privacy are very different for me and for people who are younger than my parent's generation, for whom it's weird to live in a glass house.
When you run for president, and become president, they just rip you apart. Every facade of privacy that you have is gone. I think everybody believes that, to some extent, you can maintain privacy. And I think in the end, everybody gets proven wrong.
I respect myself and insist upon it from everybody. And because I do it, I then respect everybody, too.
Some actors, and especially the younger actors, they come into the job with a lot of attention on how they behave and everything when they're not working. Sometimes that can be unfortunate because the work call is pretty intense and the preparation for it. If your focus is there, then the actual doing of the job will be fun and enjoyable. But if you're so involved in trying to be interesting and a character and everything when you're not working, it can get in the way and people get goofed up.
A high-ranking Syrian official in DC laughed when he heard I was reading Michel Aflaq and writing this book. He said, "Let me tell you something. There are no Baathists, no one believes this stuff, this is stuff you read in school because it's assigned to you. Maybe someone believed it, but no one really believes it." And I thought that was really interesting to hear, because the ideology of Baathism was presented so often to Americans as the core of what's wrong.
The more I can make a person comfortable in their environment by taking my ego's hat off and leaving it at the door, then they can dive deep within themselves and we can pull out something interesting that people have never heard before. It's the stuff that's - that no one's ever heard before is really interesting.
In the space shuttle program, where we had males and females, I can tell you that nobody was doing that [sex] because there's absolutely no privacy. The only privacy would have been in the air lock, but everybody would know what you were doing. You're not out there doing a spacewalk. There's no reason to be in there.
I did 'Pines,' and everybody wanted me to be the bad boy. Then I did Tony in 'Brooklyn,' and everybody wanted me to be the sweet kid. So I just want to keep everybody on their toes. Basically, that was the thought process.
I'm an optimist. I hope if a movie's good that it will be a success, but that's not always true, just because of popular taste or any other reasons. When something doesn't do better than it deserves to in your mind, it's pretty transparent - you usually know why. Is that a comfort? Yes, because it's logical. Does it make you happy? No, because if you think a movie is beautiful or interesting, you want to share it. Sometimes you make very interesting movies that aren't meant for everybody. But this is a capitalist society, so everything conspires to put value on whether it sells or not.
My biggest advice for girls - and this is something that I wish I could have known when I was younger - is to have thick skin. It's something that you definitely develop when you get older, but when I first started, I was so obsessed with pleasing everybody. I wanted everybody to like me and to like my songs.
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