A Quote by David E. Cooper
As for the meaning of gardens, particular gardens may have, of course, all sorts of different meanings - emotive, historical, emblematic, religious, commemorative, and so on. But I think that good gardens all signify or exemplify an important truth about the relationship of culture and nature - their inseparability.
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Does the unmistakeable intent of Versailles to proclaim dominion over nature destroy its aesthetic appeal, as Schopenhauer thought? Does the greenness of the lawn lose its allure when we learn how much water, sorely needed elsewhere, it uses? And historical shifts in garden taste - from formal, 'French' gardens to 'Capability' Brown's landscapes, for instance, or from the elaborate gardens of imperial Kyoto to Zen 'dry' gardens - register important changes in philosophical or religious attitudes.
Bad Gardens copy, good gardens create, great gardens transcend.
My favorite thing is landscaping. I love landscaping. And so what I'll do is, mostly I put language into search engines, and if I want to look, like, at tulip gardens, or, like, Georgian gardens, i love English gardens, how they're laid out. Japanese gardens, Asian gardens. So, I'm kind of a frustrated landscaper.
How people make gardens is bound to reflect a way of experiencing the natural world, while at the same time this experience of nature is bound to reflect a culture - ways of painting nature, for example, or representing nature in literature, or of course making gardens.
Bad Gardens copy, good gardens create, great gardens transcend. What all great gardens have in common are their ability to pull the sensitive viewer out of him or herself and into the garden, so completely that the separate self-sense disappears entirely, and at least for a brief moment one is ushered into a nondual and timeless awareness. A great garden, in other words, is mystical no matter what its actual content.
Gardens do offer a temporal tableau and certainly mean differently in different eras and indeed geographies (think of the formal gardens in France).
These gardens may be called the gardens of the respectable working classes.
That's exactly why nature always trumps gardens. Gardens are just reality pruned of chaos. What doesn't work you rip out.
Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little window-sill gardens of the poor, though perhaps only a geranium slip in a broken cup, as well as in the carefully tended rose and lily gardens of the rich, the thousands of spacious city parks and botanical gardens, and in our magnificent National parks — the Yellowstone, Yosemite, Sequoia, etc. — Nature's sublime wonderlands, the admiration and joy of the world.
The Garden Was My Delight. I grew up with gardeners and I just love gardens. I was always very much aware that gardens were important and they were for sharing.
I loathe gardening, but I love gardens, and I have two beautiful gardens. I can not bear gardening, but I love gardens.
Everybody's got plants, but most are just growing weeds. The cultivated have greater gardens, finer and gaudier gardens.
The gardens of my youth were fragrant gardens and it is their sweetness rather than their patterns of their furnishings that I now most clearly recall.
My whole interest in food grew from my interest in gardens and the question of how we engage with the natural world. To go back even further, I got interested in gardens because I was interested in nature and wilderness and Thoreau and Emerson.
They set great store by their gardens . . . Their studie and deligence herein commeth not only of pleasure, but also of a certain strife and contention . . . concerning the trimming, husbanding, and furnishing of their gardens; everye man or his owne parte.
I am always more interested in people than plants. Nature doesn't make gardens, people make gardens. And the story of a garden is always the story of a person.
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